Michael Tippett's oratorio A Child of Our Time was written at the beginning of the second world war as an expression of "man's inhumanity to man." This Handbook discusses the significant musical and literary features of this remarkable work within its specific historical, social and stylistic context. Attention is given to the shaping of Tippett's own text as well as its musical representation. Also of importance is the initial critical reception of the work, a reception that defined certain responses that still surround the work today.

Even in Beethoven's day everyone was talking about the "Moonlight" Sonata. This is a comprehensive introduction to Beethoven's most popular piano sonata, together with the four other sonatas in Op. 27 and Op. 31. Aimed at pianists, students and music lovers, it gives an account of the sonatas' historical background, their changing performance styles, and offers an accessible critical introduction to the music.

The Rite of Spring is Stravinsky's most revolutionary work. This comprehensive guide tells in vivid detail the story of its inception and composition, of the stormy rehearsals that led to the scandalous premiere in 1913, and of Stravinsky's later betrayal of the ballet's first choreographer, Nijinsky. Peter Hill probes beneath the surface of the music to reveal an architectural conception of unsuspected guile and subtlety. He provides a detailed discussion of the work in performance and a hard-hitting conclusion, which poses a radical challenge to the orthodox view of the work.

Elgar's Variations for Orchestra, commonly known as the 'Enigma' Variations, marked an epoch both in his career, and in the renaissance of English music at the turn of the century. The first extended study of the work, this Cambridge Music Handbook contains historical information concerning the conception and writing of the work, an extended musical discussion requiring only a little technical knowledge of music, and a fascinating survey of the "solutions" to the mystery implied by the title of Elgar's most famous work.

Anton Bruckner's Eighth Symphony (1890), one of the last of the great Romantic symphonies, is a grandly complex masterpiece. This book explores this many-faceted work from several angles. It documents the complicated and often misunderstood history of the symphony's composition and revision and provides an accessible guide to its musical design. It demonstrates, by means of a study of well-known recordings, how performance styles have evolved in this century. It also revisits the conventional wisdom about the various versions and editions of the symphony and comes to some provocative new...

Elgar's Variations for Orchestra, commonly known as the 'Enigma' Variations, marked an epoch both in his career, and in the renaissance of English music at the turn of the century. The first extended study of the work, this Cambridge Music Handbook contains historical information concerning the conception and writing of the work, an extended musical discussion requiring only a little technical knowledge of music, and a fascinating survey of the "solutions" to the mystery implied by the title of Elgar's most famous work.

Tchaikovsky's final symphony has fascinated generations of music lovers since its first performance just over a century ago. Professor Jackson explores sensitively and without prejudice the question of the Pathetique's program and its relation to Tchaikovsky's homosexuality and death. The book covers the work's conception, genesis, and reception, and presents an in-depth analysis of its remarkable formal structure. The reception chapter investigates the Pathetique's impact on Tchaikovsky's younger contemporaries as well as its political interpretation in the twentieth century, especially its...

Tchaikovsky's final symphony has fascinated generations of music lovers since its first performance just over a century ago. Professor Jackson explores sensitively and without prejudice the question of the Pathetique's program and its relation to Tchaikovsky's homosexuality and death. The book covers the work's conception, genesis, and reception, and presents an in-depth analysis of its remarkable formal structure. The reception chapter investigates the Pathetique's impact on Tchaikovsky's younger contemporaries as well as its political interpretation in the twentieth century, especially its...

Although Dvorak's cello concerto is enormously popular, no extended study of it has been undertaken hitherto. This book is a comprehensive study intended for concertgoers and students of this well-loved work. It considers aspects of historical background, form, virtuosity, performance and the concerto's rich personal content. This guide sees the work as a crucial means of exploring the composer's emotional life and links it intimately to the woman who was probably his first love.

Reflecting the growth of international interest in Elgar's music, this collection of essays brings together leading scholars from the UK and the USA, and covers the broadest range of analytical approaches to his music. It is perhaps in textual analysis and criticism that Elgar studies are showing their most remarkable growth. In this volume, analysts and theorists place Elgar at the centre of research into late-tonal music theory - particularly Schenkerian and neo-Riemannian - and the continually burgeoning area of musical hermeneutics. Through study of published scores and recently...