Mourning Becomes the Law is the philosophical counterpart to the late Gillian Rose's acclaimed memoir Love's Work. It presents a powerful and eloquent case against postmodernism, and breathes new life into the debates about power and domination, transcendence and eternity. Addressing topics such as architecture, cinema, painting, poetry, the Holocaust and Judaism, Gillian Rose enables us to connect ideas about the individual and society with theories of justice. This is philosophy for the nonphilosopher.

This book fundamentally challenges the radical credentials of post-structuralism. Though Derrida, Foucault and Deleuze claim to have 'deconstructed' metaphysics, their work has much in common with previous attempts to 'end' the metaphysical tradition, from Kant to Nietzshe and Heidegger, and by sociology in general.

Gillian Rose shows that this anti-metaphysical writing always appears in historically specific jurisprudential terms, which themselves found and recapitulate metaphysical categories. She reconsiders post-structuralism in this light and assesses the relationship...

If there is a single question that presses upon the intellect of the current generation of social scientists, it is surely: "what do the great insights of social theory imply for the way we conduct research and write about the social world?." Until now there has been no single text to turn to that explores the epistemological complexities of field work, the problems of writing and language, and of the logics of inquiry that link theory, method and evidence. Using Social Theory is a magisterial effort to open up the black-box of research methods, and to provide students, in a way that...

If there is a single question that presses upon the intellect of the current generation of social scientists, it is surely: "what do the great insights of social theory imply for the way we conduct research and write about the social world?." Until now there has been no single text to turn to that explores the epistemological complexities of field work, the problems of writing and language, and of the logics of inquiry that link theory, method and evidence. Using Social Theory is a magisterial effort to open up the black-box of research methods, and to provide students, in a way that...

Drawing lessons from the complex and often contradictory position of white women writing in the colonial period, This unique book explores how feminism and poststructuralism can bring new types of understanding to the production of geographical knowledge. Through a series of colonial and postcolonial case studies, essays address the ways in which white women have written and mapped different geographies, in both the late nineteenth century and today, illustrating the diverse objects (landscapes, spaces, views), the variety of media (letters, travel writing, paintings, sculpture, cartographic...

Mourning Becomes the Law is the philosophical counterpart to the late Gillian Rose's acclaimed memoir Love's Work. It presents a powerful and eloquent case against postmodernism, and breathes new life into the debates about power and domination, transcendence and eternity. Addressing topics such as architecture, cinema, painting, poetry, the Holocaust and Judaism, Gillian Rose enables us to connect ideas about the individual and society with theories of justice. This is philosophy for the nonphilosopher.

Geography is a subject which throughout its history has been dominated by men; men have undertaken the heroic explorations which form the mythology of its foundation, men have written most of its texts and, as many feminist geographers have remarked, men's interests have structured what counts as legitimate geographical knowledge. This book offers a sustained examination of the masculinism of contemporary geographical discourses.

Drawing on the work of feminist theories about the intersection of power, knowledge and subjectivity, different aspects of the discipline's masculinism...

The Melancholy Science is Gillian Rose's investigation into Theodor Adorno's work and legacy. Rose uncovers the unity discernable among the many fragments of Adorno's oeuvre, and argues that his influence has been to turn Marxism into a search for style.

The attempts of Adorno, Lukacs and Benjamin to develop a Marxist theory of culture centred on the concept of reification are contrasted, and the ways in which the concept of reification has come to be misused are exposed. Adorno's continuation for his own time of the Marxist critique of philosophy is traced through his writings on...

Shortly before her death, philosopher Gillian Rose began work on a new book-her Paradiso-thus fulfilling her promise at the end of Love's Work to 'stay in the fray, in the revel of ideas and risk'. Confident even only a week before her death that she could complete the work, all that remains are these fragments. In them, Rose combines the detached insight of one who is taking leave, or who has almost left, with a desire to participate in the joys of life until the last. Exceeding the injunction to 'keep your mind in hell and despair not', Paradiso sketches a movement through the hell and...

A reinterpretation of thinkers from Benjamin and Rosenzweig to Simone Weil and Derrida
Judaism and Modernity: Philosophical Essays challenges the philosophical presentation of Judaism as the sublime 'other' of modernity. In Judaism and Modernity Gillian Rose develops a philosophical alternative to deconstruction and post-modernism by critically re-engaging the social and political issues at stake in every reconstruction.