A work of innovative literary and cultural history, The Servant's Hand examines the representation of servants in nineteenth-century British fiction. Wandering in the margins of these texts that are not about them, servants are visible only as anachronistic appendages to their masters and as functions of traditional narrative form. Yet their persistence, Robbins argues, signals more than the absence of the ordinary people they are taken to represent. Robbins's argument offers a new and distinctive approach to the literary analysis of class, while it also bodies forth a revisionist...
A work of innovative literary and cultural history, The Servant's Hand examines the representation of servants in nineteenth-century British fiction. ...
We think we know what upward mobility stories are about--virtuous striving justly rewarded, or unprincipled social climbing regrettably unpunished. Either way, these stories seem obviously concerned with the self-making of self-reliant individuals rather than with any collective interest. In Upward Mobility and the Common Good, Bruce Robbins completely overturns these assumptions to expose a hidden tradition of erotic social interdependence at the heart of the literary canon.
Reinterpreting novels by figures such as Balzac, Stendhal, Charlotte Bronte, Dickens, Dreiser,...
We think we know what upward mobility stories are about--virtuous striving justly rewarded, or unprincipled social climbing regrettably unpunished....
Is global culture merely a pale and sinister reflection of capitalist globalization? Bruce Robbins responds to this and other questions in Feeling Global, a crucial document on nationalism, culturalism, and the role of intellectuals in the age of globalization.
Building on his previous work, Robbins here takes up the question of the status of international human rights. Robbins' conception of internationalism is driven not only by the imperatives of global human rights policy, but by an understanding of transnational cultures, thus linking practical policymaking to cultural...
Is global culture merely a pale and sinister reflection of capitalist globalization? Bruce Robbins responds to this and other questions in Feeli...
Is global culture merely a pale and sinister reflection of capitalist globalization? Bruce Robbins responds to this and other questions in Feeling Global, a crucial document on nationalism, culturalism, and the role of intellectuals in the age of globalization.
Building on his previous work, Robbins here takes up the question of the status of international human rights. Robbins' conception of internationalism is driven not only by the imperatives of global human rights policy, but by an understanding of transnational cultures, thus linking practical policy making to...
Is global culture merely a pale and sinister reflection of capitalist globalization? Bruce Robbins responds to this and other questions in Feel...
Eminent contributors look at the present and future of cosmopolitanism and its relationship to nationalism.
Nationalism and the nation-state have recently come under siege, their political dominance gradually eroding under the strain of such forces as ethnic strife, religious fundamentalism, homogenizing global capitalism, and the unprecedented movements of people and populations across cultures, countries, even cyberspace. A resurgent cosmopolitanism has emerged as a viable and alternative political project. In Cosmopolitics, a renowned group of scholars and political theorists offers the...
Eminent contributors look at the present and future of cosmopolitanism and its relationship to nationalism.
World Bank literature is more than a concept -- it is a provocation, a call to arms. It is intended to prompt questions about each word, to probe globalization, political economy, and the role of literary and cultural studies. As asserted in this major work, it signals a radical rewriting of academic debates, a rigorous analysis of the World Bank and the International Monetary Fund (IMF), and a consideration of literature that deals with new global realities.
Made more relevant than ever by momentous antiglobalization demonstrations in Seattle and Genoa, World Bank Literature brings...
World Bank literature is more than a concept -- it is a provocation, a call to arms. It is intended to prompt questions about each word, to probe glob...
"We, the readers and students of literature, have been hijacked. The literary critics, our teachers, those assassins of culture, have put us up against the wall and held us captive." So begins Jonah Raskin's The Mythology of Imperialism. When first published in 1971, this book was nothing short of a call to arms, an open revolt against the literary establishment. In his critique of five well-known British writers--Joseph Conrad, Rudyard Kipling, D. H. Lawrence, E. M. Forster, and Joyce Cary--Raskin not only developed the model for a revolutionary anti-imperialist criticism, but,...
"We, the readers and students of literature, have been hijacked. The literary critics, our teachers, those assassins of culture, have put us up aga...
We think we know what upward mobility stories are about--virtuous striving justly rewarded, or unprincipled social climbing regrettably unpunished. Either way, these stories seem obviously concerned with the self-making of self-reliant individuals rather than with any collective interest. In Upward Mobility and the Common Good, Bruce Robbins completely overturns these assumptions to expose a hidden tradition of erotic social interdependence at the heart of the literary canon.
Reinterpreting novels by figures such as Balzac, Stendhal, Charlotte Bronte, Dickens, Dreiser,...
We think we know what upward mobility stories are about--virtuous striving justly rewarded, or unprincipled social climbing regrettably unpunished....
An indispensable collection that re-examines what it means to belong in the world.
-Where are you from?- The word cosmopolitan was first used as a way of evading exactly this question, when Diogenes the Cynic declared himself a -kosmo-polites, - or citizen of the world. Cosmopolitanism displays two impulses--on the one hand, a detachment from one's place of origin, while on the other, an assertion of membership in some larger, more compelling collective.
Cosmopolitanisms works from the premise that there is more than one kind of...
An indispensable collection that re-examines what it means to belong in the world.
