The first large-scale application of feminist theory to the study of Greek and Roman cultures, this book points to some striking similarities between our culture and that of the ancient world, challenging Foucauldian assumptions about the nature of sexuality. Covering such topics as vase painting, tragic and comic drama from fifth-century Athens, Hellenistic philosophy and sex manuals, Roman history, poetry, wall-painting, representations of gladiatorial combat, and romance novels, the contributors approach sexuality from both sides of the feminist pornography debate, including the use of...
The first large-scale application of feminist theory to the study of Greek and Roman cultures, this book points to some striking similarities between ...
Statues of the god Priapus stood in Roman gardens to warn potential thieves that the god would rape them if they attempted to steal from him. In this book, Richlin argues that the attitude of sexual aggressiveness in defense of a bounded area serves as a model for Roman satire from Lucilius to Juvenal. Using literary, anthropological, psychological, and feminist methodologies, she suggests that aggressive sexual humor reinforces aggressive behavior on both the individual and societal levels, and that Roman satire provides an insight into Roman culture. Including a substantial and provocative...
Statues of the god Priapus stood in Roman gardens to warn potential thieves that the god would rape them if they attempted to steal from him. In this ...
Still funny after two thousand years, the Roman playwright Plautus wrote around 200 B.C.E., a period when Rome was fighting neighbors on all fronts, including North Africa and the Near East. These three plays--originally written for a wartime audience of refugees, POWs, soldiers and veterans, exiles, immigrants, people newly enslaved in the wars, and citizens--tap into the mix of fear, loathing, and curiosity with which cultures, particularly Western and Eastern cultures, often view each other, always a productive source of comedy. These current, accessible, and accurate translations have...
Still funny after two thousand years, the Roman playwright Plautus wrote around 200 B.C.E., a period when Rome was fighting neighbors on all fronts, i...
Women in ancient Rome challenge the historian. Widely represented in literature and art, they rarely speak for themselves. Amy Richlin, among the foremost pioneers in ancient studies, gives voice to these women through scholarship that scours sources from high art to gutter invective.
In Arguments with Silence, Richlin presents a linked selection of her essays on Roman women's history, originally published between 1981 and 2001 as the field of "women in antiquity" took shape, and here substantially rewritten and updated. The new introduction to the volume lays out the...
Women in ancient Rome challenge the historian. Widely represented in literature and art, they rarely speak for themselves. Amy Richlin, among the f...
Marcus Aurelius Marcus Cornelius Fronto Amy Richlin
In 1815 a manuscript containing one of the long-lost treasures of antiquity was discovered--the letters of Marcus Cornelius Fronto, reputed to have been one of the greatest Roman orators. But this find disappointed many nineteenth-century readers, who had hoped for the letters to convey all of the political drama of Cicero's. That the collection included passionate love letters between Fronto and the future emperor Marcus Aurelius was politely ignored--or concealed. And for almost two hundred years these letters have lain hidden in plain sight.
Marcus Aurelius in Love rescues...
In 1815 a manuscript containing one of the long-lost treasures of antiquity was discovered--the letters of Marcus Cornelius Fronto, reputed to have...
Roman comedy evolved early in the war-torn 200s BCE. Troupes of lower-class and slave actors traveled through a militarized landscape full of displaced persons and the newly enslaved; together, the actors made comedy to address mixed-class, hybrid, multilingual audiences. Surveying the whole of the Plautine corpus, where slaves are central figures, and the extant fragments of early comedy, this book is grounded in the history of slavery and integrates theories of resistant speech, humor, and performance. Part I shows how actors joked about what people feared - natal alienation, beatings,...
Roman comedy evolved early in the war-torn 200s BCE. Troupes of lower-class and slave actors traveled through a militarized landscape full of displace...
