The phrase The Black Legend was coined in 1912 by a Spanish journalist in protest of the characterization of Spain by other Europeans as a backward country defined by ignorance, superstition, and religious fanaticism, whose history could never recover from the black mark of its violent conquest of the Americas. Challenging this stereotype, "Rereading the Black Legend" contextualizes Spain s uniquely tarnished reputation by exposing the colonial efforts of other nations whose interests were served by propagating the Black Legend. A distinguished group of contributors here examine early...
The phrase The Black Legend was coined in 1912 by a Spanish journalist in protest of the characterization of Spain by other Europeans as a backward co...
This collection of essays brings together leading scholars of the early modern period, and offers a new focus on the literature and culture of the Renaissance. Traditionally, Renaissance studies has concentrated on the human subject; the essays collected here bring objects--purses, clothes, tapestries, houses, maps, feathers, tools, skulls--back into view. Subject and Object in Renaissance Culture puts things back into relation with people, eliciting not only new critical readings of key texts, but also new configurations of Renaissance culture.
This collection of essays brings together leading scholars of the early modern period, and offers a new focus on the literature and culture of the Ren...
This collection of essays brings together leading scholars of the early modern period, and offers a new focus on the literature and culture of the Renaissance. Traditionally, Renaissance studies has concentrated on the human subject; the essays collected here bring objects--purses, clothes, tapestries, houses, maps, feathers, tools, skulls--back into view. Subject and Object in Renaissance Culture puts things back into relation with people, eliciting not only new critical readings of key texts, but also new configurations of Renaissance culture.
This collection of essays brings together leading scholars of the early modern period, and offers a new focus on the literature and culture of the Ren...
Maureen Quilligan explores the remarkable presence in the Renaissance of what she calls "incest schemes" in the books of a small number of influential women who claimed an active female authority by writing in high canonical genres and who, even more transgressively for the time, sought publication in print.
It is no accident for Quilligan that the first printed work of Elizabeth I was a translation done at age eleven of a poem by Marguerite de Navarre, in which the notion of "holy" incest is the prevailing trope. Nor is it coincidental that Mary Wroth, author of the first sonnet cycle...
Maureen Quilligan explores the remarkable presence in the Renaissance of what she calls "incest schemes" in the books of a small number of influent...
"Quilligan has a number of stimulating new insights into the nature of allegory both medieval and modern. Much of her discussion focuses on The Faerie Queen and Piers Plowman, but she does not neglect Hawthorne and Melville, while Nabokov and Pynchon receive two particularly astute readings. Along with valuable literary criticism, this book gives us an idea of a whole new revival of the theory of allegory." Virginia Quarterly Review"
"Quilligan has a number of stimulating new insights into the nature of allegory both medieval and modern. Much of her discussion focuses on The Faerie...
The first professional female writer, Christine de Pizan (1363-1431) was widowed at age twenty-five and supported herself and her family by enlisting powerful patrons for her poetry. Her Livre de la Cite des Dames (1405) is the earliest European work on women's history by a woman. An allegorical poem that revises masculine traditions, it asserts and defends the authority of women in general and of its author in particular. In this generously illustrated book, Maureen Quilligan provides a persuasive and penetrating interpretation of the Cite."
The first professional female writer, Christine de Pizan (1363-1431) was widowed at age twenty-five and supported herself and her family by enlisting ...
