Pope's letters are fascinating documents, apart from his importance as a poet. Highly revealing of his remarkable character--ambitious, dangerous, trimming, ridiculous, intelligent, generous yet antagonistic--they also comprise a body of writing of extraordinary interest for an understanding of his times: its personalities, its plots, its tragedies and exiles, its loves, its scandals, the movement of its religious, political, and philosophical ideas, its sense of poetry, and its notions of poetic craft and genre. Moreover, Pope published a collection of his own letters: a selective and highly...

This selection includes The Rape of the Lock, Eloisa to Abelard, and extracts from The Dunciad and the translation of Homer

First published in 1971. Routledge is an imprint of Taylor & Francis, an informa company.

This has remained the standard edition for more than a generation. Set in a descriptive background of eighteenth-century life the poetry is placed in its historic context and is an essential source for anyone studying eighteenth-century literature.

Considered the preeminent verse satirist in English, Alexander Pope (1688-1744) brought wide learning, devastating wit and masterly technique to his poems. Models of clarity and control, they exemplified the classical poetics of the Augustan age.
This volume contains a rich selection of Pope's work, including such well-known poems as the title selection-a philosophical meditation on the nature of the universe and man's place in it-and "The Rape of the Lock," a mock-epic of rare charm and skill. Also included are "Ode on Solitude," "The Dying Christian to His Soul," "Elegy to the Memory of...

Popes life as a writer falls into three periods, answering fairly enough to the three reigns in which he worked. Under Queen Anne he was an original poet, but made little money by his verses; under George I. he was chiefly a translator, and made much money by satisfying the Frenchclassical taste with versions of the "Iliad" and "Odyssey." Under George I. he also edited Shakespeare, but with little profit to himself; for Shakespeare was but a Philistine in the eyes of the French-classical critics. But as the eighteenth century grew slowly to its work, signs of a deepening interest in the real...

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your...

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your...