In this classic of critical thought, Deleuze and Guattari challenge conventional interpretations of Kafka's work. Instead of exploring preexisting categories or literary genres, they propose a concept of "minor literature"--the use of a major language that subverts it from within. Writing as a Jew in Prague, they contend, Kafka made German "take flight on a line of escape" and joyfully became a stranger within it. His work therefore serves as a model for understanding all critical language that must operate within the confines of the dominant language and culture.
In this classic of critical thought, Deleuze and Guattari challenge conventional interpretations of Kafka's work. Instead of exploring preexisting cat...
Beginning with the instance in 1912 when Marcel Duchamp wrote in a note to himself, "No more painting, get a job," Thierry de Duve reviews in Pictorial Nominalism the implications of the readymade for art and representation. Arguing that the readymade belongs to that moment in the history of painting when both figuration and the practice of painting become "impossible," de Duve presents a psychoanalytically informed account of the birth of abstraction. Differing considerably from such thinkers as Clement Greenberg and Peter Burger, de Duve demonstrates that the readymade is the link between...
Beginning with the instance in 1912 when Marcel Duchamp wrote in a note to himself, "No more painting, get a job," Thierry de Duve reviews in Pictoria...
Christian Metz is best known for applying Saussurean theories of semiology to film analysis. In the 1970s, he used Sigmund Freud's psychology and Jacques Lacan's mirror theory to explain the popularity of cinema. In this final book, Metz uses the concept of enunciation to articulate how films "speak" and explore where this communication occurs, offering critical direction for theorists who struggle with the phenomena of new media. If a film frame contains another frame, which frame do we emphasize? And should we consider this staging an impersonal act of enunciation? Consulting a range of...
Christian Metz is best known for applying Saussurean theories of semiology to film analysis. In the 1970s, he used Sigmund Freud's psychology and Jacq...
Christian Metz is best known for applying Saussurean theories of semiology to film analysis. In the 1970s, he used Sigmund Freud's psychology and Jacques Lacan's mirror theory to explain the popularity of cinema. In this final book, Metz uses the concept of enunciation to articulate how films "speak" and explore where this communication occurs, offering critical direction for theorists who struggle with the phenomena of new media. If a film frame contains another frame, which frame do we emphasize? And should we consider this staging an impersonal act of enunciation? Consulting a range of...
Christian Metz is best known for applying Saussurean theories of semiology to film analysis. In the 1970s, he used Sigmund Freud's psychology and Jacq...
