Scottish Nationality offers a full survey of the events and issues in the formation of Scottish identity from the earliest times. It is both a summary history of Scotland as a nation and a study of the development of national feeling in Scotland, not only dealing with the growth of the Scottish National Party, but also exploring the nature of Scottish patriotic feeling within the Union. The book examines Scotland's relationship with England and the wider world in order to put Scotland in context within the new British history and the new Britain itself. As for the future, ...

This book seeks to rewrite assumptions about the Augustan era through an exploration of Jacobite ideology. The author studies canonical and noncanonical literature and uncovers a new "four nations" literary history defined in terms of a struggle for control of the language of authority between Jacobite and Hanoverian writers. Sources explored include ballads in Scots, Irish, Welsh and Gaelic. The author concludes that the literary history of the Augustan age is built on the history of the victors in the Revolution of 1688.

This book seeks to rewrite assumptions about the Augustan era through an exploration of Jacobite ideology. The author studies canonical and noncanonical literature and uncovers a new "four nations" literary history defined in terms of a struggle for control of the language of authority between Jacobite and Hanoverian writers. Sources explored include ballads in Scots, Irish, Welsh and Gaelic. The author concludes that the literary history of the Augustan age is built on the history of the victors in the Revolution of 1688.

James Hogg's Jacobite Relics - originally commissioned by the Highland Society of London in 1817 - is an important addition to The Collected Works of James Hogg. It created a canon for the Jacobite song which had an enormous influence on subsequent collections, and was of great importance in defining the relationship between the Scottish song tradition and its Romantic editors and collectors.From the first publication of the Relics in 1819, there has been speculation about how many of them were authored or at least substantially altered by Hogg. Professor Murray Pittock has conducted...

James Hogg's Jacobite Relics - originally commissioned by the Highland Society of London in 1817 - is an important addition to The Collected Works of James Hogg. It created a canon for the Jacobite song which had an enormous influence on subsequent collections, and was of great importance in defining the relationship between the Scottish song tradition and its Romantic editors and collectors.From the first publication of the Relics in 1819 the majority of scholars have argued about how many of them were authored or at least substantially altered by Hogg. Professor Murray Pittock has conducted...

This work explores the idea of the Celt and the definition of the so-called "Celtic Fringe" over the last 300 years. It is an in-depth study of the literary and cultural representation of Ireland, Scotland and Wales over this period, and is based on a wide-ranging grasp of issues of national identity and state formation. The idea of the Celt and Celticism is once again highly fashionable. Is there such a common Celtic heritage? What is the place of the "Celtic Fringe" in British identity? Pittock begins by assessing the term "Celtic" itself, by questioning its validity, going on to examine...

This collection of essays provides a series of fresh approaches to a fascinating subject: Jacobitism. The contributors focus on issues of identity and memory among Jacobites in Scotland, Ireland, England and Europe. They examine Jacobitism as an integral aspect of culture and society in the British Isles and beyond during the century after 1688.

Material Culture and Sedition, 1688-1760 is a groundbreaking study of the ways in which material culture (and its associated designs, rituals and symbols) was used to avoid prosecution for treason and sedition in the British Isles. The fresh theoretical model it presents challenges existing accounts of the public sphere and consumer culture.

A dynasty of high ability and great charm, the Stuarts exerted a compelling fascination over their supporters and enemies alike. First published in 1991, this title assesses the influence of the Stuart mystique on the modern political and cultural identity of Scotland. Murray Pittock traces the Stuart myth from the days of Charles I to the modern Scottish National Party, and discusses both pro- and anti-Union propaganda.