How the negotiation between poetic and media discourses takes place is the subject of Marjorie Perloff's groundbreaking study. Radical Artifice considers what happens when the "natural speech" model inherited from the great Modernist poets comes up against the "natural speech" of the Donahue "talk show," or again, how visual poetics and verse forms are responding to the languages of billboards and sound bytes. Among the many poets whose works are discussed are John Ashbery, George Oppen, Susan Howe, Clark Coolidge, Lyn Hejinian, Leslie Scalapino, Charles Bernstein, Johanna...
How the negotiation between poetic and media discourses takes place is the subject of Marjorie Perloff's groundbreaking study. Radical Artifice...
Marjorie Perloff's stunning book was one of the first to offer a serious and far-reaching examination of the momentous flourishing of Futurist aesthetics in the European art and literature of the early twentieth century. Offering penetrating considerations of the prose, visual art, poetry, and carefully crafted manifestos of Futurists from Russia to Italy, Perloff reveals the Moment's impulses and operations, tracing its echoes through the years to the work of "postmodern" figures like Roland Barthes. This updated edition, with its new preface, reexamines the Futurist Moment in the light of a...
Marjorie Perloff's stunning book was one of the first to offer a serious and far-reaching examination of the momentous flourishing of Futurist aesthet...
When the great avant-gardist John Cage died, just short of his eightieth birthday in 1992, he was already the subject of dozens of interviews, memoirs, and discussions of his contribution to music, music theory, and performance practice. But Cage never thought of himself as only (or even primarily) a composer; he was a poet, a visual artist, a philosophical thinker, and an important cultural critic. "John Cage: Composed in America" is the first book-length work to address the "other" John Cage, a revisionist treatment of the way Cage himself has composed and been "composed" in America....
When the great avant-gardist John Cage died, just short of his eightieth birthday in 1992, he was already the subject of dozens of interviews, memoirs...
This revisionist narrative of poetic change in the twentieth century challenges the accepted notions of what poetry is and can be in the new century and makes the case for the seminal place of poetry in contemporary culture.
This revisionist narrative of poetic change in the twentieth century challenges the accepted notions of what poetry is and can be in the new century a...
Must poetic form be, as Yeats demanded, "full, sphere-like, single," or can it accommodate the impurities Yeats and his Modernist generation found so problematic? Sixty years later, these are still open questions, questions Marjorie Perloff addresses in these essays.
Must poetic form be, as Yeats demanded, "full, sphere-like, single," or can it accommodate the impurities Yeats and his Modernist generation found so ...
This study, first published in 1981, argues that the map of modernist poetry needs to be redrawn so as to include a central tradition that cannot properly be located within the Romantic-Symbolist tradition that dominated the early-20th century. Marjorie Perloff traces this tradition from its early French connection in the poetry of Rimbaud and Apollinaire as well as in Cubist, Dada and early Surrealist painting; through its various manifestations in the work of Gertrude Stein, William Carlos Williams and Ezra Pound; to such postmodern landscapes without depth as the French/English language...
This study, first published in 1981, argues that the map of modernist poetry needs to be redrawn so as to include a central tradition that cannot prop...
Pack My Bag is a marvelously quirky, clear-eyed memoir: a mother who shot at mangle wurzels (turnips) bowled across the lawn for her by the servants; the stately home packed with wounded World War I soldiers; the miseries of Eton, oddities of Oxford, and work in the family factory--the making of a brilliantly original novelist. -We have inherited the greatest orchestra, the English language, to conduct, - Green once wrote. -The means are there; things are going on in life all the time around us.- His use of language and his account of things that went on in his life inform this...
Pack My Bag is a marvelously quirky, clear-eyed memoir: a mother who shot at mangle wurzels (turnips) bowled across the lawn for her by the s...
A new collection of essays from a distinguished critic of contemporary poetry.
Marjorie Perloff is one of the foremost critics of contemporary American poetry writing today. Her works are credited by many with creating and sustaining new critical interest not only in the work of major modernist poets such as Yeats, Pound, Eliot, and Williams but also in the postwar tradition of American poetic innovation that ranges from the Black Mountain poets, through the New York School and concrete poetry, to the Language Poets of the 1980s and '90s.
In "Differentials," Perloff explores and...
A new collection of essays from a distinguished critic of contemporary poetry.
Marjorie Perloff is one of the foremost critics of contemporary Am...
Sound-one of the central elements of poetry-finds itself all but ignored in the current discourse on lyric forms. The essays collected here by Marjorie Perloff and Craig Dworkinbreak that critical silence to readdress some of thefundamental connections between poetry and sound-connections that go far beyond traditional metrical studies. Ranging from medieval Latin lyrics to a cyborg opera, sixteenth-century France to twentieth-century Brazil, romantic ballads to the contemporary "avant-garde," the contributors to "The Sound of Poetry/The Poetry of Sound" explore such subjects as the...
Sound-one of the central elements of poetry-finds itself all but ignored in the current discourse on lyric forms. The essays collected here by Marj...
What is the place of individual genius in a global world of hyper-information- a world in which, as Walter Benjamin predicted more than seventy years ago, everyone is potentially an author? For poets in such a climate, "originality" begins to take a back seat to what can be done with other people's words-framing, citing, recycling, and otherwise mediating available words and sentences, and sometimes entire texts. Marjorie Perloff here explores this intriguing development in contemporary poetry: the embrace of "unoriginal" writing. Paradoxically, she argues, such citational and often...
What is the place of individual genius in a global world of hyper-information- a world in which, as Walter Benjamin predicted more than seventy yea...
