In her first collection since winning the National Book Award in 1993, Mary Oliver writes of the silky bonds between every person and the natural world, of the delight of writing, of the value of silence. " Her] poems are...as genuine, moving and implausible as the first caressing breeze of spring" (New York Times).

With consummate craftsmanship, Mary Oliver has fashioned fifteen luminous prose pieces: on nature, writing, and herself and those around her. She praises Whitman, denounces cuteness, notes where to find the extraordinary, and extols solitude.

With piercing clarity and craftsmanship, Mary Oliver has fashioned an unforgettable poem of questioning and discovery, about what is observable and what is not, about what passes and what persists. As the U.S. Poet Laureate, Stanley Kunitz, has said: "Mary Oliver's poetry is fine and deep; it reads like a blessing. Her special gift is to connect us with our sources in the natural world, its beauties and terrors and mysteries and consolations." The Boston Globe has called Mary Oliver "a great poet . . . she is amazed but not blinded." And the Miami Herald has said: "The gift of...

"Mary Oliver's poetry is fine and deep; it reads like a blessing," wrote Stanley Kunitz many years ago; and recently, Rita Dove described her last volume, The Leaf and the Cloud, as "a brilliant meditation." For the many admirers of Mary Oliver's dazzling poetry and luminous vision, as well as for those who may be coming to her work for the first time, What Do We Know will be a revelation. These forty poems-of observing, of searching, of pausing, of astonishment, of giving thanks-embrace in every sense the natural world, its unrepeatable moments and its ceaseless cycles. Mary Oliver evokes...

In her fourth volume of poetry, Twelve Moons, Pulitzer Prize-winning Mary Oliver continues to explore the alluring, yet well-nigh inaccessible kingdoms of nature and human relationships, and man's profound, persistent desire for a joyous union with them. these vibrant, magical poems pulse with an aching awareness of nature's unaffected beauty. Her absorbing intimate vision leads us into the natural and human kingdoms we only fleetingly grasp.

The fifty poems in "American Primitive" make up a body of luminous unity. Mary Oliver's visionary poems enunciate the renewals of nature and the renewals of humanity in love, in oneness with the natural, in union with the things of this world. Lyrical and elegiac, Mary Oliver celebrates the primitiave things of America - the wilderness that survives both within our bodies and outside - in ."..the cords/ of my body stretching/ and singing in the/ heaven of appetite."

First published in 1851, The House of the Seven Gables is one of Hawthorne's defining works, a vivid depiction of American life and values replete with brilliantly etched characters. The tale of a cursed house with a "mysterious and terrible past" and the generations linked to it, Hawthorne's chronicle of the Maule and Pyncheon families over two centuries reveals, in Mary Oliver's words, "lives caught in the common fire of history."
This Modern Library Paperback Classics edition uses the definitive text as prepared for The Centenary Edition of the Works of Nathaniel Hawthorne; this is the...

A collection of forty poems that explore the transformation of love and nature over time.

What good company Mary Oliver is the Los Angeles Times has remarked. And never more so than in this extraordinary and engaging gathering of nine essays, accompanied by a brief selection of new prose poems and poems. (One of the essays has been chosen as among the best of the year by The Best Amer

Brimming over with the inspirational words and thoughts of some of our finest writers, Cries of the Spirit is a beautiful sourcebook of poetry and prose in praise of life and all that it entails. Here women's voices fill the age-old silence about matters central to their experience-from menstruation, sexual intimacy, and childbirth to caretaking, household rituals, and death. These writings represent a healing vision of the sacred that emerges from the particular consciousness of women-a vision that partakes of the world of earth and flesh.