One of the most exciting developments in recent literary studies bases interpretation on a new understanding of bodily aspects of text. The method employed here views the body as a text to be read. Though the approaches of these essays are widely varied, three concerns figure and refigure themselves throughout the book: the gendered body and the copied book as locus of pain, pleasure, and desire. They will be of immense interest to medievalists and other scholars of language, philosophy, history, art history, and gender studies.

This book throws light on the debate about the 'orality' or 'literacy' of Old English verse.

For many years there has been lively debate about the 'orality' or 'literacy' of Old English verse: about whether the Old English verse which has come down to us is primarily the product of oral composition or primarily written, insofar as it is transmitted only in manuscript. The present book throws light on this question by drawing our attention to a largely unexplored body of evidence, namely the graphic realization of Old English verse in the surviving manuscripts - how it is set out spatially, how it is marked up for reading with punctuation of various kinds. Professor O'Keeffe shows...

This volume offers an emerging consensus about the fundamental issues of electronic textual editing. It provides practical advice and faces theoretical questions.

The story of Beowulf and his hard-fought victory over the monster Grendel has captured the imagination of readers and listeners for a millennium. The heroic Anglo-Saxon story survives to the world in one eleventh-century manuscript that was badly burned in 1731, and in two eighteenth-century transcriptions of the manuscripts.
Kevin S. Kiernan, one of the world's foremost Beowulf scholars, has studied the manuscript extensively with the most up-to-date methods, including fiber-optic backlighting and computer digitization. This volume reprints Kiernan's earlier study of the...