A close reading of Andre Gide's three major first-person narratives - L'Immoralist, La Porte etroite and La Symphonie pastorale - through the lens of semiotics and narratology. The author argues Gide's position as a pre-postmodernist who uses narrative strategies to connect story and self.
A close reading of Andre Gide's three major first-person narratives - L'Immoralist, La Porte etroite and La Symphonie pastorale - through the lens of ...
