First published in 1988, the aim of this book can be stated in Nietzsche's words: 'To look at science from the perspective of the artist, but at art from that of life'. The title contests the notions that science alone can provide us with the most objective truth about the world, and that artistic endeavour can produce nothing more valuable than entertainment. O'Hear argues that art and the study of art are not indispensable aspects of human life, and that this is equally as important as the investigation of the natural world.

The Royal Institute of Philosophy's London Lecture series for 2013-14 brought together contributions from a distinguished group of leading figures in the philosophy of mind. The topic the lecturers were asked to speak and write on, 'Mind, Self and Person', has been at the forefront of philosophical enquiry throughout the history of the subject, and, as will be evident from this volume, is as lively and contested an area of investigation in contemporary philosophy as it was in the days of the ancient Greeks. This collection of papers covers a wide range of issues, including consciousness, the...

In this book Anthony O'Hear examines the reasons that are given for religious faith. His approach is firmly within the classical tradition of natural theology, but an underlying theme is the differences between the personal Creator of the Bible or the Koran and a God conceived of as the indeterminate ground of everything determinate.

Drawing on several religious traditions and on the resources of contemporary philosophy, specific chapters analyse the nature of religious faith and of religious experience. They examine connections between religion and morality, and religion and human...

This volume contains notable essays on philosophy of action based on the Royal Institute of Philosophy lecture series.