The hallucinatory, unforgettable account of a moment - or an eternity - in an uncertain love affair
The man has actually come to tell his lover that he wants to leave her, but as soon as he walks in he realizes he won't be able to tell her. The woman rolls a joint. They smoke it. And as they drift into another state of mind, he approaches the border zones between being and nonbeing, between living and imagining, or is it between life and death?
From the acclaimed author of A Book of Memories we now have this unsettling and strangely beautiful exploration of the...
The hallucinatory, unforgettable account of a moment - or an eternity - in an uncertain love affair
The U.S. publication of A Book of Memories in 1997 introduced to our shores the work of an extraordinary novelist, Peter Nadas. Now, in Fire and Knowledge, a superb collection of short stories, essays, and literary criticism, we discover other aspects of Nadas's major presence in European life and letters: as a trenchant commentator on the events that have transformed Europe since 1989, as a stunning literary critic, and as a subtle interpreter of language and politics in societies both free and unfree....
A New York Times Book Review Editors' Choice
The U.S. publication of A Book of Memories in 1997 introduced to ou...
First published in Hungary in 1986 after a five-year battle with censors, Peter Nadas's A Book of Memories is a modern classic, a multi-layered narrative that tells three parallel stories of love and betrayal. The first takes place in East Berlin in the 1970s and features an unnamed Hungarian writer ensnared in a love triangle with a young German and a famous aging actress. The second, composed by the writer, is the story of a late nineteenth century German aesthete whose experiences mirror his own. And the third voice is that of a friend from the writer's childhood, who brings his...
First published in Hungary in 1986 after a five-year battle with censors, Peter Nadas's A Book of Memories is a modern classic, a multi-laye...
The man has actually come to tell his lover that he wants to leave her, but as soon as he walks in he realises he won't be able to tell her. The woman rolls a joint. They smoke it. And as they drift into another state of mind, he approaches the border zones between being and nonbeing, between living and imagining. Or is it between life and death? From the acclaimed author of A Book of Memories - 'The greatest novel written in our time, and one of the great books of the century' (Susan Sontag) - we now have this unsettling and strangely beautiful exploration of the impossibility, but the...
The man has actually come to tell his lover that he wants to leave her, but as soon as he walks in he realises he won't be able to tell her. The woman...
In on - auf, the Swedish artist Mikael Olsson undertakes a photographic interpretation of the Swiss architects Herzog & de Meuron's and the Chinese artist Ai Weiwei's temporary pavilion at the Serpentine Gallery in London. By investigating the traces of their creative processes in their archives, and exploring the relation between their pavilion and its shifting contexts, Olsson creates images that follow and go beyond the object, creating visual narratives uncovering issues of memory, identity and perception. The Hungarian author Peter Nadas introduces the artist in his essay.
In on - auf, the Swedish artist Mikael Olsson undertakes a photographic interpretation of the Swiss architects Herzog & de Meuron's and the Chi...