Ideological debates about economics and aesthetics raged hotly in nineteenth-century France. French political economy was taking shape as a discipline that would support free-market liberalism, while l'art pour l'art theories circulated, and utopian systems with aesthetic and economic agendas proliferated. Yet, as this book argues, the discourses of art and literature worked in tandem with market discourses to generate theories of economic and social order, of the model of the self-individuating and desiring subject of modernity, and of this individual's relationship to a new world of...