This collection of Japanese womens diary literature (nikki bungaku) begins with The Takemitsu Journal (also known as The Tale of the Tōnomine Lesser Captain, c. 962), an important precursor and model for the famous Kagerō Diary, and Tales of Toyokage (c. 971), a fictionalized reworking of his own poems by Regent Koremasa himself. It also includes the first complete English translations of the Honin no Jiju and of the narrative section of The Collected Poems of Lady Ise. The volume concludes with the Tales of Takamura (1185-1333), which Mostow describes as a site...
This collection of Japanese womens diary literature (nikki bungaku) begins with The Takemitsu Journal (also known as The Tale of the Tō...
Ise monogatari is one of classical Japan's most important texts. It influenced other literary court romances like The Tale of Genji and inspired artists, playwrights, and poets throughout Japanese history and to the present day.
In a series of 125 loosely connected episodes, the Ise tells the story of a famous lover, Captain Ariwara no Narihira (825-880), and his romantic encounters with women throughout Japan. Each episode centers on an exchange of love poems designed to demonstrate wit, sensitivity, and courtliness.
Joshua Mostow and Royall Tyler present a fresh, contemporary...
Ise monogatari is one of classical Japan's most important texts. It influenced other literary court romances like The Tale of Genji and inspired ar...
Courtly Visions: The Ise Stories and the Politics of Cultural Appropriation traces--through the visual and literary record--the reception and use of the tenth-century literary romance through the seventeenth century. Ise monogatari (The Ise Stories) takes shape in a salon of politically disenfranchised courtiers, then transforms later in the Heian period (794-1185) into a key subtext for autobiographical writings by female aristocrats. In the twelfth century it is turned into an esoteric religious text, while in the fourteenth it is used as cultural capital in the...
Courtly Visions: The Ise Stories and the Politics of Cultural Appropriation traces--through the visual and literary record--the recepti...
Gender relations were complex in Edo-period Japan (1603-1868). Wakashu, male youths, were desired by men and women, constituting a "third gender" with their androgynous appearance and variable sexuality. For the first time outside Japan, A Third Gender examines the fascination with wakashu in Edo-period culture and their visual representation in art, demonstrating how they destabilize the conventionally held model of gender binarism. The volume will reproduce, in colour, over a hundred works, mostly woodblock prints and illustrated books from the eighteenth and nineteenth...
Gender relations were complex in Edo-period Japan (1603-1868). Wakashu, male youths, were desired by men and women, constituting a "third gende...