Unearthing the fearful flesh and sinful skins at the heart of gothic horror, Jack Morgan rends the genre's biological core from its oft-discussed psychological elements and argues for a more transhistorical conception of the gothic, one negatively related to comedy. The Biology of Horror: Gothic Literature and Film dissects popular examples from the gothic literary and cinematic canon, exposing the inverted comic paradigm within each text. Morgan's study begins with an extensive treatment of comedy as theoretically conceived by Suzanne Langer, C. L. Barber, and Mikhail Bakhtin....
Unearthing the fearful flesh and sinful skins at the heart of gothic horror, Jack Morgan rends the genre's biological core from its oft-discussed psyc...
The book concerns the new World Irish, tracing the developing profile of the Irish in America from the Famine forward. The studies draw their material from roughly a one-hundred-year arc of Irish presence and relevance in American life and they would serve as American as well as Irish-American studies.
The book concerns the new World Irish, tracing the developing profile of the Irish in America from the Famine forward. The studies draw their material...
The book concerns the new World Irish, tracing the developing profile of the Irish in America from the Famine forward. The studies draw their material from roughly a one-hundred-year arc of Irish presence and relevance in American life and they would serve as American as well as Irish-American studies.
The book concerns the new World Irish, tracing the developing profile of the Irish in America from the Famine forward. The studies draw their material...