Continuing the subversive self-revelation begun in Tropic of Cancer and Tropic of Capricorn, Henry Miller takes readers along a mad, free-associating journey from the damp grime of his Brooklyn youth to the sun-splashed cafes and squalid flats of Paris. With incomparable glee, Miller shifts effortlessly from Virgil to venereal disease, from Rabelais to Roquefort. In this seductive technicolor swirl of Paris and New York, he captures like no one else the blending of people and the cities they inhabit.

In 1941, Henry Miller, the author of Tropic of Cancer, was commissioned by a Los Angeles bookseller to write an erotic novel for a dollar a page. Under the Roofs of Paris (originally published as Opus Pistorum) is that book. Here one finds Miller s characteristic candor, wit, self-mockery, and celebration of the good life. From Marcelle to Tania, to Alexandra, to Anna, and from the Left Bank to Pigalle, Miller sweeps us up in his odyssey in search of the perfect job, the perfect woman, and the perfect experience."

Continuing the argument developed in the author's previous book, this exhaustively researched study describes the humiliation of the Chinese gentry at the hands of the statist Oboi regents in the 1660s and the Kangxi emperor's self-declared Confucian sagehood in the 1670s, which effectively trumped the gentry's claim to sovereignty.

This book is a full translation of the Gongyang Commentary on the Spring and Autumn Annals, a history of the Chinese state of Lu from 722 to 481 BCE, annotated so as to highlight the moral philosophy of its supposed writer, Confucius.

This book looks at the bitter factionalism in the last days of China's Ming Dynasty as an ideological struggle between scholar-officials who believed that sovereignty resided in the imperial state and those who believed that it resided with the learned gentry.