Offering original insights into Nabokov and his interaction with other writers and art forms, this volume of a two-part study includes the work of 15 eminent Nabokov specialists and scholars. Here, the focus is on intertextuality, literary reception, and suggestions for new ways of reading.
Offering original insights into Nabokov and his interaction with other writers and art forms, this volume of a two-part study includes the work of 15 ...
Russian writers of the nineteenth century were quite consciously creating a new national literary tradition. They saw themselves self-consciously through Western European eyes, at once admiring Europe and feeling inferior to it. This ambivalence was perhaps most keenly felt in relation to France, whose language and culture had shaped the world of the Russian aristocracy from the time of Catherine the Great. In How the Russians Read the French, Priscilla Meyer shows how Mikhail Lermontov, Fyodor Dostoevsky, and Lev Tolstoy engaged with French literature and culture to define their own...
Russian writers of the nineteenth century were quite consciously creating a new national literary tradition. They saw themselves self-consciously thro...
Offering original insights into Nabokov and his interaction with other writers and art forms, this, the second volume of a two-part study, includes the work of fifteen eminent Nabokov specialists and scholars. Here, the focus is on intertextuality, literary reception and suggestions for new ways of reading.
Offering original insights into Nabokov and his interaction with other writers and art forms, this, the second volume of a two-part study, includes th...