Emma is Austen's most technically accomplished novel. The full implications of its hidden plot are only revealed by a second reading. Presented here for the first time with the spelling and the punctuation of the first edition of 1816, the text allows readers to see the novel as Austen's contemporaries first encountered it. The volume includes comprehensive explanatory notes, an extensive critical introduction covering the context and publication history of the work, and a chronology of Austen's life as well. This edition is an indispensable resource for all scholars and readers of Austen.

This is the first comprehensive critical analysis of Scottish women's writing from its recoverable beginnings to the present day. Essays cover individual writers - such as Margaret Oliphant, Nan Shepherd, Muriel Spark and Liz Lochhead--as well as groups of writers or kinds of writing--such as women poets and dramatists, or Gaelic writing and the legacy of the Kailyard. In addition to poetry, drama and fiction, a varied body of non-fiction writing is also covered, including diaries, memoirs, biography and autobiography, didactic and polemic writing, and popular and periodical writing for and...

This volume, first published in 2005, is a fully annotated scholarly edition of the 1816 edition of Emma.

The Robert Browning volume in the 21st-Century Oxford Authors series is the first one-volume fully annotated edition of Browning to offer a wide selection of work written throughout Browning's career, from the very first poem he published, Pauline, to Asolando, the volume that was published on the day that he died. The text chosen is, wherever possible, the text of the poem as it was first published by Browning himself, and as a consequence the volume also constitutes a kind of biography. It reveals a poet who began as a bold experimentalist, and who continued to experiment throughout a...