This is the first volume in a new three-volume history of the University Press, which will eventually bring the story as far as modern times: the next volume (on the eighteenth and nineteenth centuries) is in preparation. The history is not only about University printers and their work--especially scholarly, schoolbook, Bible, prayer book and almanac publishing (the University Printers were England's largest suppliers of almanacs in the late seventeenth century)--but also about the rest of the seventeenth century book trade in Cambridge, London, continental Europe and North America.

This second volume of the history of Cambridge University Press deals with a period of fundamental change in printing, publishing and bookselling. The purpose of this book is not only to chronicle the history of the Press, but also to set it in this context of change: to examine how the forces of commerce collided with the hopes or demands of scholarship and education, and how, in the end, one was made to exploit the other. It opens with the new arrangements made by the University for printing in Cambridge in the 1690s, and closes on the eve of the opening of new premises in London.

This volume completes the history of Cambridge University Press from the sixteenth century to the late twentieth. It examines the ways by which the Press launched itself as a London publisher in the 1870s, building its educational and academic lists. It also explores changes in the printing industry, revealing how the Press assumed a leading role in the typographical renaissance of the 1920s and 1930s, and how it acquired an international reputation for quality after the Second World War. Also available: Volume 1: Printing and the Book Trade in Cambridge, 1534-1698 0-521-30801-1 Hardback...

The emergence of print in late fifteenth-century Italy gave a crucial new importance to the editors of texts, who could strongly influence the interpretation and status of texts by determining the form and context in which they would be read. Brian Richardson examines the Renaissance production, circulation and reception of texts by earlier writers including Dante, Petrarch, Boccaccio and Ariosto, as well as popular contemporary works of entertainment. In so doing he sheds light on the impact of the new printing and editing methods on Renaissance culture.

This study of some of the central questions in literary publishing in mid-nineteenth-century North America and Britain is addressed through examination of the unusually rich archives of one of the preeminent literary publishers of the time. Michael Winship analyzes the records and publications of Boston-based Ticknor and Fields, revealing how its books were produced, marketed and distributed, and the extent of its expenses and profits. He goes on to show how an investigation of Ticknor and Fields enriches our understanding of the literary and cultural history of North America and Britain.

Conventional literary history has virtually ignored the role of newspaper syndicates in publishing some of the most famous nineteenth-century writers. Henry James, Rudyard Kipling and Mark Twain were among those who offered their early fiction to "Syndicates," firms that subsequently sold the work to newspapers across America for simultaneous, first-time publication. Charles Johanningsmeier shows how the economic practicalities of the syndicate system governed the consumption and interpretation of various literary texts. His study revises the conception of traditional literary history by...

The cheap Bibles of nineteenth-century Britain were read in millions of homes, and were also potent symbols of national virtue. In an age of social ferment, cheap Bibles - most published by the British and Foreign Bible Society - represented both the promise of mass literacy and the benefits of industrialisation. This book, based on correspondence and other archival records, tells the story of the BFBS from two perspectives: its place in the history of publishing and printing and in contemporary society. The BFBS, founded in 1804, grew out of the evangelical revival and became a popular...

This study of some of the central questions in literary publishing in mid-nineteenth-century North America and Britain is addressed through examination of the unusually rich archives of one of the preeminent literary publishers of the time. Michael Winship analyzes the records and publications of Boston-based Ticknor and Fields, revealing how its books were produced, marketed and distributed, and the extent of its expenses and profits. He goes on to show how an investigation of Ticknor and Fields enriches our understanding of the literary and cultural history of North America and Britain.

Following the discovery of manuscript materials, including hundreds of unpublished additions and changes, for Samuel Johnson's Dictionary of the English Language, Allen Reddick describes the conception, composition, writing, and subsequent revision of the first great English dictionary, and the only dictionary created by a great writer. In this second edition of his acclaimed study, Reddick incorporates new commentary and scholarship, and situates The Making of Johnson's Dictionary in current critical and scholarly debate.

This major study re-examines fundamental aspects of what has been widely labeled the printing revolution of the early modern period. David McKitterick argues that many of the changes associated with printing were only gradually absorbed over almost 400 years, a much longer period than usually suggested. He re-evaluates the modern myths and misconceptions surrounding the emergence of print and invites readers to work forward from the past, rather than backwards into it.