With the continued expansion of the literary canon, multicultural works of modern literary fiction and autobiography have assumed an increasing importance for students and scholars of American literature. This exciting new series assembles key documents and criticism concerning these works that have so recently become central components of the American literature curriculum. Each casebook will reprint documents relating to the work's historical context and reception, present the best in critical essays, and when possible, feature an interview of the author. The series will provide, for the...

Explores the literary and journalistic career of Hopkins, a turn-of-the-century African American writer.

Although black women's labor was essential to the development of the United States, studies of these workers have lagged far behind those of working black men and white women. Adding insult to injury, a stream of images in film, television, magazines, and music continues to portray the work of black women in a negative light.

Sister Circle offers an innovative approach to representing work in the lives of black women. Contributors from many fields explore an array of lives and activities, allowing us to see for the first time the importance of black women's labor in the aftermath...

This revised and expanded version of the collection contains twice the number of poems found in the original, many of them never before reprinted, and adds eighteen new female voices from the Harlem Renaissance, once again striking new ground in African American literary history. Also new to this edition are nine period illustrations and updated biographical introductions for each poet."Shadowed Dreams" features new poems by Gwendolyn B. Bennett, Anita Scott Coleman, Mae V. Cowdery, Blanche Taylor Dickinson, Alice Dunbar-Nelson, Jessie Redmon Fauset, Angelina Weld Grimke, Gladys May Casely...

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Ellen Tarry was born in 1906 in Birmingham, Alabama. While attending a Catholic school in Virginia during her teens, she joined the Church. She returned to Alabama to attend college at Alabama State Normal School for Colored in Montgomery and then taught in the Birmingham Public Schools from 1924 to 1926.

In pursuit of her dream of becoming a writer, Tarry moved to New York, where she worked for black newspapers and became acquainted with some of the prominent black artists and writers of the day, particularly Claude McKay and James Weldon...

Now at seventy-three volumes, this popular MLA series (ISSN 10591133) addresses a broad range of literary texts. Each volume surveys teaching aids and critical material and brings together essays that apply a variety of perspectives to teaching the text. Upper-level undergraduate and graduate students, student teachers, education specialists, and teachers in all humanities disciplines will find these volumes particularly helpful.

Toomer's literary career began in 1923 with the publication of Cane, the first and one of the finest portrayals of the black experience, and ended, somewhat mysteriously, thirteen years later with the publication of the long poem "Blue Mountain." Toomer and his work were forgotten until the black movement of the late 1960s rediscovered Cane, and a fresh generation of critics praised its aesthetics and philosophical merits. McKay explores the growth and decline of Toomer as a literary artist.

Originally published in 1987.

A UNC Press Enduring Edition -- UNC...