" The Woman at the Keyhole is one] of the most significant contributions to feminist film theory sin ce the 1970s." SubStance
..". this intelligent, eminently readable volume puts women's filmmaking on the main stage.... serves at once as introduction and original contribution to the debates structuring the field. Erudite but never obscure, effectively argued but not polemical, The Woman at the Keyhole should prove to be a valuable text for courses on women and cinema." The Independent
When we imagine a "woman" and a "keyhole," it is usually a woman on the other side of the...
" The Woman at the Keyhole is one] of the most significant contributions to feminist film theory sin ce the 1970s." SubStance
Dorothy Arzner was the exception in Hollywood film history--the one woman who succeeded as a director, in a career that spanned three decades. In Part One, Dorothy Arzner's film career--her work as a film editor to her directorial debut, to her departure from Hollywood in 1943--is documented, with particular attention to Arzner's roles as "star-maker" and "woman's director." In Part Two, Mayne analyzes a number of Arzner's films and discusses how feminist preoccupations shape them, from the women's communities central to Dance, Girl, Dance and The Wild Party to critiques of the...
Dorothy Arzner was the exception in Hollywood film history--the one woman who succeeded as a director, in a career that spanned three decades. In P...
Cinema and Spectatorship is the first book to focus entirely on the history and role of the spectator in contemporary film studies. While 1970s film theory insisted on a distinction betweeen the cinematic subject and film-goers, Judith Mayne suggests that a very real friction between "subjects" and "viewers" is in fact central to the study of spectatorship. In the book's first section Mayne examines three theoretical models of spectatorship: the perceptual, the institutional and the historical, while the second section focuses on case studies which crystallize many of the issues...
Cinema and Spectatorship is the first book to focus entirely on the history and role of the spectator in contemporary film studies. While 197...
"Don't let's ask for the moon We have the stars " The film that concludes with Bette Davis's famous words, reaffirmed Davis's own stardom and changed the way Americans smoked cigarettes. But few contemporary fans of this story of a woman's self-realization know its source. Olive Higgins Prouty's 1941 novel Now, Voyager provides an even richer, deeper portrait of the inner life of its protagonist and the society she inhabits. Viewed from a distance of more than 60 years, it also offers fresh and quietly radical takes on psychiatric treatment, traditional family life, female desire, and...
"Don't let's ask for the moon We have the stars " The film that concludes with Bette Davis's famous words, reaffirmed Davis's own stardom and changed...
Originally published in 1950, this account of life among female Free French soldiers in a London barracks during World War II sold four million copies in the United States alone and many more worldwide. The novel is based on the real-life experiences of the author, Tereska Torres. As the Blitz rains down over London, taboos are broken, affairs start and stop, and hearts are won and lost. Women's Barracks was banned for obscenity in several states and denounced by the House Select Committee on Current Pornographic Materials in 1952 as an example of how the paperback industry was...
Originally published in 1950, this account of life among female Free French soldiers in a London barracks during World War II sold four million copies...
Cinema and Spectatorship is the first book to focus entirely on the history and role of the spectator in contemporary film studies. While 1970s film theory insisted on a distinction betweeen the cinematic subject and film-goers, Judith Mayne suggests that a very real friction between "subjects" and "viewers" is in fact central to the study of spectatorship. In the book's first section Mayne examines three theoretical models of spectatorship: the perceptual, the institutional and the historical, while the second section focuses on case studies which crystallize many of the issues...
Cinema and Spectatorship is the first book to focus entirely on the history and role of the spectator in contemporary film studies. While 197...
