In this book on Beethoven's Piano Sonata in E, Op. 109, Nicholas Marston combines source studies and a Schenkerian analytical approach to produce one of the most extensive and detailed studies of a Beethoven piano sonata ever published. The study is based on a complete transcription of all the surviving autograph musical sources: the sketches, a fragmentary Urschrift, and the autograph score. Early printed editions and manuscript copies are also discussed and the text is handsomely supported by extensive transcription from the sources. After an introductory chapter in which previous work -...

Schumann's Fantasie, Op. 17 is one of the finest examples of Romantic piano music. In a rounded picture of this major keyboard work, Nicholas Marston first traces the fascinating history of its composition, drawing on many of Schumann's letters to Clara Wieck and to his publisher, and examining the few surviving sketches: To whom was the work really dedicated? Was the celebrated opening movement perhaps intended as an independent composition? Schumann's own critical writings provide vital insights into his ideas on genre and the relationship between the Fantasie and the many generic and...