Covering the complete range of writing in England, Scotland, Wales and Ireland, this volume also explores the impact of writing from the former colonies on English literature of the period. It analyzes the ways in which conventional literary genres were influenced by the cultural technologies of radio, cinema and television. This work is of major importance to anyone concerned with twentieth-century literature, its cultural context and its relation to the contemporary.

This book provides a rich and wide-ranging analysis of Jewish history and culture, relating them to theories of modernity and postmodernity and to recent debates on ethnicity and postcolonialism. Issues addressed include psychoanalysis and gender, literary anti-semitism, (post)modernity and 'the Jew', and the memory of the Holocaust. A Foreword by Homi Bhabha and an Afterword by Paul Gilroy place these concerns in an extended multicultural and postcolonial context.


The book examines the work of past and present cultural theorists who have placed the figure of 'the Jew' at...

In the forefront of the large and growing interest in life-writings. A comprehensive account of the criticism and theory of autobiography. The book makes complex debates accessible to a wide readership.

Freud's Interpretation of Dreams, published in 1900, has been one of the most influential texts of the twentieth century, fundamentally changing the ways in which people have thought about their waking lives as well as their dreams. This book, more than any other in Freud's massive oeuvre, has shaped a vast amount of work in linguistics and semiotics, literary studies, film theory, psychology, philosophical hermeneutics and the history of ideas. This influence is reflected in the editor's introduction, which includes a substantial discussion of the theory and practice of representation, and...

The original essays in Oxford Twenty-First Century Approaches to Literature mean to provoke rather than reassure, to challenge rather than codify. Instead of summarizing existing knowledge scholars working in the field aim at opening fresh discussion; instead of emphasizing settled consensus they direct their readers to areas of enlivened and unresolved debate.
This volume opens up, in new and innovative ways, a range of dimensions, some familiar and some more obscure, of late Victorian and modern literature and culture, primarily in British contexts. Late Victorian into...

Laura Marcus is one of the leading literary critics of modernist literature and culture. Dreams of Modernity: Psychoanalysis, Literature, Cinema covers the period from around 1880 to 1930, when modernity as a form of social and cultural life fed into the beginnings of modernism as a cultural form. Railways, cinema, psychoanalysis and the literature of detection - and their impact on modern sensibility - are four of the chief subjects explored. Marcus also stresses the creativity of modernist women writers, including H. D., Dorothy Richardson and Virginia Woolf. The overriding themes of this...

The essays in Moving Modernisms: Motion, Technology, and Modernity, written by renowned international scholars, open up the many dimensions and arenas of modernist movement and movements: spatial, geographical and political: affective and physiological; temporal and epochal; technological, locomotive and metropolitan; aesthetic and representational. Individual essays explore modernism's complex geographies, focusing on Anglo-European modernisms while also engaging with the debates engendered by recent models of world literatures and global modernisms. From questions of space and...

Autobiography is one of the most popular of written forms. Laura Marcus defines what autobiographies are, considering their relationship with similar literary forms, and analysing the core themes in autobiographical writing. She also discusses how autobiography offers the most fundamental accounts of what it means to be a self in the world.