This work offers a multi-disciplinary investigation of the question and status of ethics in light of the current return to ethics underway in a variety of critical fields. By assembling the work of nine leading critics from disciplines including philosophy, women's studies, cultural studies, anthropology, literary studies and history, this collection should help to frame the conversation on the status of ethics in the coming years.

This work offers a multi-disciplinary investigation of the question and status of ethics in light of the current return to ethics underway in a variety of critical fields. By assembling the work of nine leading critics from disciplines including philosophy, women's studies, cultural studies, anthropology, literary studies and history, this collection should help to frame the conversation on the status of ethics in the coming years.

Howard Marchitello's study of narrative techniques in Renaissance discourse analyzes imaginative conjunctions of literary texts, such as those by Shakespeare and Thomas Browne, with developments in scientific and technical writing. Narrative was used in the Renaissance as both a mode of discourse and an epistemology; it produced knowledge, but also dictated how that knowledge should be understood. Marchitello uses a wide range of cultural documents to illustrate the importance of narrative in constructing the Renaissance understanding of time and identity.

Howard Marchitello's study of narrative techniques in Renaissance discourse analyzes imaginative conjunctions of literary texts, such as those by Shakespeare and Thomas Browne, with developments in scientific and technical writing. Narrative was used in the Renaissance as both a mode of discourse and an epistemology; it produced knowledge, but also dictated how that knowledge should be understood. Marchitello uses a wide range of cultural documents to illustrate the importance of narrative in constructing the Renaissance understanding of time and identity.

The reassessment of the 'two cultures' of art and science has been one of the most urgent areas of research in literary and historical studies over the last fifteen years. The early modern period is an ideal site for such an investigation precisely because of the pre-disciplinary nature of its science. The central focus of The Machine in the Text falls upon the wide-ranging practices of what will come to be called 'science' prior to its separation into a realm of its own, one of the legacies of the renaissance and its encounter with modernity. This book offers a new critical examination of...

This book is about the complex ways in which science and literature are mutually-informing and mutually-sustaining. It does not cast the literary and the scientific as distinct, but rather as productively in-distinct cultural practices: for the two dozen new essays collected here, the presiding concern is no longer to ask how literary writers react to scientific writers, but rather to study how literary and scientific practices are imbricated. These specially-commissioned essays from top scholars in the area range across vast territories and produce seemingly unlikely unions: between physics...