Originally the Gospel of Mark was read aloud to first-century audiences eager to hear more about the life of Jesus and how his teachings could touch their own lives. Now Elizabeth Struthers Malbon, an expert who has written about and taught Mark for 20 years, brings us back to that original setting, providing an exciting new way of reading and hearing the Gospel of Mark.
Originally the Gospel of Mark was read aloud to first-century audiences eager to hear more about the life of Jesus and how his teachings could touch t...
The first three essays in this volume move in different ways between real and implied Markan realities: from implied audience to real (ancient) audience, from real (contemporary, oral) narrator to implied (ancient, oral) narrator, and from implied audience to various real (or 'unimplied') audiences. The next three essays treat the central Markan reality of parable as it connects author, narrator, and audience in challenging ways. The final three essays concern the relation of Mark's characters among themselves or the relation of narrator and character, recognizing the complexity of...
The first three essays in this volume move in different ways between real and implied Markan realities: from implied audience to real (ancient) audien...
This publication presents the rich variety of critical methodologies in contemporary literary study of the New Testament. The tradition of study represented in the essays lies at the conjunction of developments in biblical studies and literary criticism: (1) the exhaustion of New Testament historical criticism in general and redaction criticism in particular; (2) the waning of Formalist-New Critical approaches in literary study; and (3) the emphasis upon the text in terms of language and discourse as the 'free play of signifiers'. The essays deal with theory, exegesis, and their...
This publication presents the rich variety of critical methodologies in contemporary literary study of the New Testament. The tradition of study repre...
Carved for a Roman city prefect who was a newly baptized Christian at his death, the sarcophagus of Junius Bassus is not only a magnificent example of "the fine style" of mid-fourth-century sculpture but also a treasury of early Christian iconography clearly indicating the Christianization of Rome--and the Romanization of Christianity. Whereas most previous scholarship has focused on the style of the sarcophagus, Elizabeth Struthers Malbon explores the perplexing elements of its iconography in their fourth-century context. In so doing she reveals the distinction between "pagan" and...
Carved for a Roman city prefect who was a newly baptized Christian at his death, the sarcophagus of Junius Bassus is not only a magnificent example...
