Dynamic Splendor introduces a cycle of sixth-century mosaics little known to scholars, though they are comparable in quality and interest to famed mosaics in Italy and elsewhere. Ann Terry and Henry Maguire provide the first comprehensive account of the history and meaning of the mosaics along with the first high-quality photographic documentation of the ensemble.
It has only recently been possible to study the mosaics at Poreč closely, due to favorable conditions in Croatian Istria, where the mosaics reside, and to the discovery of the original restoration documents in...
Dynamic Splendor introduces a cycle of sixth-century mosaics little known to scholars, though they are comparable in quality and interest ...
The Byzantines surrounded themselves with their saints, invisible but constant companions, who were made visible by dreams, visions, and art. The composition and presentation of this imagined gallery followed a logical structure, a construct that was itself a collective work of art created by Byzantine society. The purpose of this book is to analyze the logic of the saint's image in Byzantium, both in portraits and in narrative scenes. Here Henry Maguire argues that the Byzantines gave to their images differing formal characteristics of movement, modeling, depth, and differentiation,...
The Byzantines surrounded themselves with their saints, invisible but constant companions, who were made visible by dreams, visions, and art. The c...
Both an introduction to the great civilization of Byzantium and a 50th anniversary celebration of the founding of the Byzantine Centre at Dumbarton Oaks in Washington, DC, this collection of essays demonstrates the place of Byzantine civilization in world history and shows the role of Dumbarton Oaks in interpreting that civilization for what its founders called an everchanging present.
Both an introduction to the great civilization of Byzantium and a 50th anniversary celebration of the founding of the Byzantine Centre at Dumbarton Oa...
The church of San Marco of Venice has long played a central role in Venetian political, ceremonial, and religious life. Its renowned assemblage of mosaics, sculpture, metalwork, and reliquaries are, in origin, Roman, Byzantine, Venetian, or Venetian imitation of Byzantine designs. In San Marco, Byzantium, and the myths of Venice, the authors assess the significance of the embellishment of the church and its immediate surroundings, especially during the thirteenth and fourteenth centuries, when most of the Byzantine material was acquired, largely from Constantinople.
The church of San Marco of Venice has long played a central role in Venetian political, ceremonial, and religious life. Its renowned assemblage of mos...
Nature and Illusion is the first extended treatment of the portrayal of nature in Byzantine art and literature. In this richly illustrated study, Henry Maguire shows how the Byzantines embraced terrestrial creation in the decoration of their churches during the fifth to seventh centuries but then adopted a much more cautious attitude toward the depiction of animals and plants in the middle ages, after the iconoclastic dispute of the eighth and ninth centuries. In the medieval period, the art of Byzantine churches became more anthropocentric and less accepting of natural images. The...
Nature and Illusion is the first extended treatment of the portrayal of nature in Byzantine art and literature. In this richly illustrated st...
