C. S. Lewis said everything he wrote was influenced by George MacDonald. According to Lewis, there is "hardly any other writer who seems to be closer, or more continuously close, to the Spirit of Christ Himself." Writing a preface and selecting MacDonald's most poignant passages, Lewis introduces us to these extraordinary treasures. Ranging from "Inexorable Love" to "The Torment of Death," these words will instruct and uplift.

A classic story of magic, mystery, and adventure in a fairy-tale world.

Princess Irene's great-great-grandmother has a testing task for Curdie. Curdie will not go alone though; she provides him with a companion, the oddest and ugliest creature Curdie has ever seen, but one who turns out to be the most loyal friend he could have hoped for.

A Victorian fairy tale that has enchanted readers for more than a hundred years: the magical story of Diamond, the son of a poor coachman, who is swept away by the North Wind a radiant, maternal spirit with long, flowing hair and whose life is transformed by a brief glimpse of the beautiful country at the back of the north wind. It combines a Dickensian regard for the working class of mid-19th-century England with the invention of an ethereal landscape, and is published here alongside Arthur Hughes s handsome illustrations from the original 1871 edition."

One of the first great works of nineteenth-century fantasy fiction, Phantastes inspired many of the great Christian and fantasy authors of the twentieth century. A fairy tale for adults, it is the captivating story of a wealthy young man who takes an unplanned journey into a fantastic nether world. Led by an enchanting sprite (discovered inside an old desk once owned by his deceased father), he meets a diverse cast of characters, among them a fairy queen, as well as sinister figures who threaten his spiritual well-being.
Outstanding for its imaginative characters, vivid action, and...

George MacDonald (1824-1905), the great nineteenth-century innovator of modern fantasy, influenced not only C. S. Lewis but also such literary masters as Charles Williams and J. R. R. Tolkien. Though his longer fairy tales Lilith and Phantastes are particularly famous, much of MacDonald's best fantasy writing is found in his shorter stories. In this volume editor Glenn Sadler has compiled some of MacDonald's finest short works--marvelous fairy tales and stories certain to delight readers familiar with MacDonald and those about to meet him for the first time.

George MacDonald (1824-1905), the great nineteenth-century innovator of modern fantasy, influenced not only C. S. Lewis but also such literary masters as Charles Williams and J. R. R. Tolkien. Though his longer fairy tales Lilith and Phantastes are particularly famous, much of MacDonald's best fantasy writing is found in his shorter stories. In this volume editor Glenn Sadler has compiled some of MacDonald's finest short works -- marvelous fairy tales and stories certain to delight readers familiar with MacDonald and those about to meet him for the first time.

George MacDonald (1824-1905), the great nineteenth-century innovator of modern fantasy, influenced not only C. S. Lewis but also such literary masters as Charles Williams and J. R. R. Tolkien. Though his longer fairy tales "Lilith" and "Phantastes" are particularly famous, much of MacDonald s best fantasy writing is found in his shorter stories. In this volume editor Glenn Sadler has compiled some of MacDonald s finest short works marvelous fairy tales and stories certain to delight readers familiar with MacDonald and those about to meet him for the first time."

George MacDonald (1824-1905), the great nineteenth-century innovator of modern fantasy, influenced not only C. S. Lewis but also such literary masters as Charles Williams and J. R. R. Tolkien. Though his longer fairy tales Lilith and Phantastes are particularly famous, much of MacDonald's best fantasy writing is found in his shorter stories. In this volume editor Glenn Sadler has compiled some of MacDonald's finest short works--marvelous fairy tales and stories certain to delight readers familiar with MacDonald and those about to meet him for the first time.

Whaur are ye aff til this bonny mornin', Maggie, my doo? said the soutar, looking up from his work, and addressing his daughter as she stood in the doorway with her shoes in her hand. "Jist ower to Stanecross, wi' yer leave, father, to speir the mistress for a goupin or twa o' chaff: yer bed aneth ye's grown unco hungry-like." "Hoot, the bed's weel eneuch, lassie!" "Na, it's onything but weel eneuch! It's my pairt to luik efter my ain father, and see there be nae k-nots aither in his bed or his parritch."