Since his death in 1950, George Orwell has been canonised as England's foremost political writer, and the standard-bearer of honesty and decency for the honourable 'Left'. In this controversial polemic, Scott Lucas argues that the exaltation of Orwell, far from upholding dissent against the State, has sought to quash such opposition. Indeed, Orwell has become the icon of those who, in the pose of the contrarian, try to silence public opposition to US and U K foreign policy in the 'War on Terror'.Lucas's lively and readable critique of public intellectuals including Christopher Hitchens,...
Since his death in 1950, George Orwell has been canonised as England's foremost political writer, and the standard-bearer of honesty and decency for t...
"This book...broadens our understanding of the post-World War II confrontation between the United States and the USSR and serves as a strong stimulus for the study of the contribution to the clash of ideas, using documents from former Communist archives." Ilya V. Gaiduk, American Historical Review
Freedom's War is the first book to examine comprehensively the American pursuit of the liberation of Eastern Europe from the end of World War II until the failure of the Hungarian Revolution in 1956. It shows how the American vision of freedom led to interventions in Asia,...
"This book...broadens our understanding of the post-World War II confrontation between the United States and the USSR and serves as a strong stimul...
Some categorisations of US power have long governed analyses of American foreign policy - concepts such as 'empire', 'decline', 'superpower', 'the Cold War' and 'the War on Terror' - and have led to a distortion that sees US policy measured by broad labels, rather than on its own terms. This fresh new approach seeks to challenge these terms.
Some categorisations of US power have long governed analyses of American foreign policy - concepts such as 'empire', 'decline', 'superpower', 'the Col...
Most Americans think of Betsy Ross as she was depicted in Charles Weisberger's popular painting The Birth of Our Nation's Flag--a motherly figure, sewing at the hearth. In fact, as Jo Ann Menezes's analysis in Nostalgia, Gender, and Nationalism points out, Ross was a widowed businesswoman who ran an upholstery shop out of her house. In Weisberger's painting, all signs of economic industry are erased and Ross's house is transformed into a home rather that the site of cottage industry. Ross is constructed as the perfect heroic mother, worthy of sacred creation; thus, our flag was born.
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Most Americans think of Betsy Ross as she was depicted in Charles Weisberger's popular painting The Birth of Our Nation's Flag--a motherly figure, ...
