Narrative theology emphasizes the priority of the story of Jesus Christ because the story precedes categorizing or conceptualizing. An exercise in postmodern narrative theology, this book shows how the distinction between narrative and story enables one to read the Bible as a single story that finds its focus in Christ. Loughlin sees the Church as the telling and continuation of Christ's story, with the Bible and the community as the context in which Christ makes himself known and available for faith.
Narrative theology emphasizes the priority of the story of Jesus Christ because the story precedes categorizing or conceptualizing. An exercise in pos...
Narrative theology emphasizes the priority of the story of Jesus Christ because the story precedes categorizing or conceptualizing. An exercise in postmodern narrative theology, this book shows how the distinction between narrative and story enables one to read the Bible as a single story that finds its focus in Christ. Loughlin sees the Church as the telling and continuation of Christ's story, with the Bible and the community as the context in which Christ makes himself known and available for faith.
Narrative theology emphasizes the priority of the story of Jesus Christ because the story precedes categorizing or conceptualizing. An exercise in pos...
Gerard Loughlin is one of the leading theologians working at the interface between religion and contemporary culture. In this exceptional work, he uses cinema and the films it shows to think about the church and the visions of desire it displays.
Discusses various films, including the Alien quartet, Christopher Nolan's Memento, Stanley Kubrick's 2001: A Space Odyssey and A Clockwork Orange, Nicolas Roeg's The Man Who Fell to Earth and Derek Jarman's The Garden.
Draws on a wide range of authors, both ancient and modern, religious and secular, from...
Gerard Loughlin is one of the leading theologians working at the interface between religion and contemporary culture. In this exceptional work, he use...
Gerard Loughlin is one of the leading theologians working at the interface between religion and contemporary culture. In this exceptional work, he uses cinema and the films it shows to think about the church and the visions of desire it displays.
Discusses various films, including the Alien quartet, Christopher Nolan's Memento, Stanley Kubrick's 2001: A Space Odyssey and A Clockwork Orange, Nicolas Roeg's The Man Who Fell to Earth and Derek Jarman's The Garden.
Draws on a wide range of authors, both ancient and modern, religious and secular, from...
Gerard Loughlin is one of the leading theologians working at the interface between religion and contemporary culture. In this exceptional work, he use...
What has been lost, what has been gained, in replacing sexual orthodoxy with the 'heresies' of postmodern sexualities? In the recent past-even within living memory-sex has usually been a matter of monogamous heterosexual marriage and the procreation of children. Other sexual practices were seen as deviations from the 'patriarchal' norm. Today things are different, and western liberal societies promote and celebrate a growing multiplicity of sexual, familial and procreational practices and relationships. Nine writers assess the directions in which our societies are being led.
What has been lost, what has been gained, in replacing sexual orthodoxy with the 'heresies' of postmodern sexualities? In the recent past-even with...
