Cain made the first blackface turn, blackface minstrels liked to say of the first man forced to wander the world acting out his low place in life. It wasn't the "approved" reading, but then, blackface wasn't the "approved" culture either--yet somehow we're still dancing to its renegade tune. The story of an insubordinate, rebellious, truly popular culture stretching from Jim Crow to hip hop is told for the first time in Raising Cain, a provocative look at how the outcasts of official culture have made their own place in the world.
Unearthing a wealth of long-buried plays and...
Cain made the first blackface turn, blackface minstrels liked to say of the first man forced to wander the world acting out his low place in life. ...
W. T. Lhamon 's Deliberate Speed is a cultural history of the 1950s in the United States that directly confronts the typical view of this decade as an arid wasteland. By surveying the artistic terrain of the period--examining works by figures as varied as Miles Davis, Ralph Ellison, Robert Frank, Allen Ginsberg, Little Richard, Charlie Parker, Jackson Pollock, Thomas Pynchon, and Ludwig Wittgenstein--Lhamon demonstrates how many of the distinctive elements that so many attribute to the revolutionary period of the 1960s had their roots in the fertile soil of the 1950s.
Taking...
W. T. Lhamon 's Deliberate Speed is a cultural history of the 1950s in the United States that directly confronts the typical view of this de...
Beginning in the 1830s, the white actor Thomas D. Rice took to the stage as Jim Crow, and the ragged and charismatic trickster of black folklore entered--and forever transformed--American popular culture. Jump Jim Crow brings together for the first time the plays and songs performed in this guise and reveals how these texts code the complex use and abuse of blackness that has characterized American culture ever since Jim Crow's first appearance.
Along with the prompt scripts of nine plays performed by Rice--never before published as their original audiences saw them--W. T....
Beginning in the 1830s, the white actor Thomas D. Rice took to the stage as Jim Crow, and the ragged and charismatic trickster of black folklore en...
Jim Crow is the figure that has long represented America's imperfect union. When the white actor Thomas D. Rice took to the stage in blackface as Jim Crow, during the 1830s, a ragged and charismatic trickster began channeling black folklore through American popular culture. This compact edition of the earliest Jim Crow plays and songs presents essential performances that assembled backtalk, banter, masquerade, and dance into the diagnostic American style. Quite contrary to Jim Crow's reputation--which is to say, the term's later meaning--these early acts undermine both racism and slavery....
Jim Crow is the figure that has long represented America's imperfect union. When the white actor Thomas D. Rice took to the stage in blackface as J...
