As an historical figure Mary Queen of Scots has been perpetually represented on canvas, page and stage, and has captured the British imagination since the time of her death in 1587. The real Mary Stuart however has remained an enigma. This text sheds light on Mary's life and national identity by exploring four main themes: the history of Mary's representation in Britain from the late Tudor period focusing on key periods in the formation of the British identity and closely analyzing several texts against a background of the visual, musical and literary works of each period; the reasons why...

As an historical figure Mary Queen of Scots has been perpetually represented on canvas, page and stage, and has captured the British imagination since the time of her death in 1587. The 'real' Mary Stuart however has remained an enigma.
Mary Queen of Scots: Romance and Nation sheds light on Mary's life by exploring four main themes:
* the history of Mary's representation in Britain from the late Tudor period focusing on key periods in the formation of the British identity and closely analysing several texts against a background of the visual, musical and literary works of...

Between 1651 and 1740 hundreds of fables, fable collections, and biographies of the ancient Greek slave Aesop were published in England. Jayne Elizabeth Lewis decribes the explosion of interest in fable from its origins at the end of the English Civil Wars to its decline, and shows how three Augustan writers--John Dryden, Anne Finch and John Gay--experimented with fable as a literary form. Often underestimated because of its links with popular nonliterary forms, fable is shown to have played a major role in the formation of the modern English culture.

Between 1651 and 1740 hundreds of fables, fable collections, and biographies of the ancient Greek slave Aesop were published in England. Jayne Elizabeth Lewis decribes the explosion of interest in fable from its origins at the end of the English Civil Wars to its decline, and shows how three Augustan writers--John Dryden, Anne Finch and John Gay--experimented with fable as a literary form. Often underestimated because of its links with popular nonliterary forms, fable is shown to have played a major role in the formation of the modern English culture.

In "Air s Appearance," Jayne Elizabeth Lewis enlists her readers in pursuit of the elusive concept of atmosphere in literary works. She shows how diverse conceptions of air in the eighteenth century converged in British fiction, producing the modern literary sense of atmosphere and moving novelists to explore the threshold between material and immaterial worlds."Air s Appearance "links the emergence of literary atmosphere to changing ideas about air and the earth s atmosphere in natural philosophy, as well as to the era s theories of the supernatural and fascination with social manners or, as...