In this unusual memoir of the life of the mind, the founding editor of The Threepenny Review reflects upon the choices she has made in pursuit of her vocation as a self-described "eighteenth-century man of letters". Wendy Lesser, one of our shrewdest cultural observers, describes how her education, her experiences, and the works of her favorite writers, artists, and performers have shaped and deepened her understanding of the world. She shows us how she has created an independent life as a writer, editor, and critic, free to follow her enthusiasms where they lead her. Above all, she offers an...

Revisiting her favorite books after 20 or 30 years, Lesser is stirred by the changes she finds--in the books, in herself, and in the wider world.

This book is about murder - in life and in art - and about how we look at it and feel about it. At the centre of Wendy Lesser's investigation is a legal case in which a federal court judge was asked to decide whether a gas chamber execution would be broadcast on public television. Lesser conducts us through the proceedings, pausing along the way to reflect on the circumstances of violent death in our culture. Her book is also a meditation on murder in a civilized society - what we make of it in law, morality and art.

Fifteen outstanding writers answered editor Wendy Lesser's call for original essays on the subject of language-the one they grew up with, and the English in which they write.Despite American assumptions about polite Chinese discourse, Amy Tan believes that there was nothing discreet about the Chinese language with which she grew up. Leonard Michaels spoke only Yiddish until he was five, and still found its traces in his English language writing. Belgian-born Luc Sante loved his French Tintin and his Sartre, but only in English could he find -words of one syllable- that evoke American bars and...

The first biography of the iconic American architect that delves fully into his life and work.