New Medieval Literatures is an annual containing the best new interdisciplinary work in medieval textual cultures.

New Medieval Literatures is an annual of work on medieval textual cultures. Volume 5 is marked by a preoccupation with origins or beginnings: the return to some of the foundational texts of the "modern," here Marx, Freud, and classical Marxist literary criticism; or how the Middle Ages thematized its own antecedents, in the founding myth of imperial Rome, the originary force of martyrdom, and the reformist foundations of monasticism.

New Medieval Literatures is an annual containing the best new interdisciplinary work in medieval textual studies. Volume 6 deals in depth with one of the most important of medieval vernacular writers, Geoffrey Chaucer, his closest successor, Thomas Hoccleve, and his most important precursor in England, Marie de France.

New Medieval Literatures is an annual containing the best new interdisciplinary work in medieval textual studies. Volume 7 includes essays on Chaucer and Virginia Woolf, Margery Kempe, Caxton's Dialogues in French and English, and William Worcester.

Il trovatore, the middle opera of Verdi's famous "trilogy" of the 1850s (with Rigoletto and La traviata), is the sixth work to be published in The Works of Giuseppe Verdi. Based on Verdi's autograph score and an examination of important secondary sources including contemporary manuscript copies and performing parts, the edition identifies and resolves numerous ambiguities of harmony, melodic detail, text, and phrasing that have marred previous scores. Scholars and performers alike will find a wealth of information in the critical apparatus to inform their research...

Verdi had a special fondness for "Macbeth," and the first version of his opera based on Shakespeare's play is arguably the most important work of his formative years. But dissatisfied with the work of his librettist, Francesco Maria Piave, Verdi reworked the text himself and lavished the score with particular attention. The premiere in Florence in 1847 was a great success, but for the Paris premiere in 1865, Verdi made substantial changes, adding dances and an entirely new aria, duet, chorus, and death scene. Clearly, he intended that "Macbeth II" supersede the earlier version, and today the...

David Lawton approaches later medieval English vernacular culture in terms of voice. As texts and discourses shift in translation and in use from one language to another, antecedent texts are revoiced in ways that recreate them (as "public interiorities") without effacing their history or future. The approach yields important insights into the voice work of late medieval poets, especially Langland and Chaucer, and also their fifteenth-century successors, who treat their work as they have treated their precursors. It also helps illuminate vernacular religious writing and its aspirations, and...

"Before Passing" is an exhilarating, questioning, and diverse collection of contemporary poetry and short fiction by established and emerging writers from across the United States and beyond. Contributors include Edgar Oliver, Penny Arcade, Steve Dalachinsky, Jon Sands, Amber Atiya, Joseph Keckler, Floyd Salas, and Meagan Brothers. The anthology also contains an interview with the legendary Anne Waldman conducted by Aimee Herman, author of "meant to wake up feeling." "These annual anthologies and other work by great weather for MEDIA are an admirable contribution to arts and culture." - The...

New Medieval Literatures - now published by Boydell and Brewer - is an annual of work on medieval textual cultures, aiming to engage with intellectual and cultural pluralism in the Middle Ages and now. Its scope is inclusive of work across the theoretical, archival, philological, and historicist methodologies associated with medieval literary studies, and embraces both the British Isles and Europe. Topics in this volume include the political ecology of Havelok the Dane: Thomas Hoccleve and the making of -Chaucer-; and Britain and the Welsh Marches in Fouke le Fitz Waryn/. Contributors: Alexis...

The Works of Giuseppe Verdi is the first critical edition of the composer's oeuvre. Together with his operas, the series presents his songs, his choral music and sacred pieces, and his string quartet and other instrumental works.

Based on Verdi's autograph score and an examination of important secondary sources, including contemporary manuscript copies and performing parts, this edition of Il trovatore identifies and resolves numerous ambiguities of harmony, melodic detail, text, and phrasing that have marred previous scores. Scholars and performers alike will find a wealth of...