In this classic meditation on the problem of style in art history, Henri Focillon describes how art forms change over time. Although he argues that the development of art is irreducible to external political, social, or economic determinants, one of his great achievements was to lodge a concept of autonomous formal mutation within the shifting domain of materials and techniques. Focillon emphasizes the presence of nonsynchronous tendencies within styles that give to artworks a manifold and stratified character.The Life of Forms in Art remains one of the most brilliant and important...
In this classic meditation on the problem of style in art history, Henri Focillon describes how art forms change over time. Although he argues that...
When it was first released in 1962, The Shape of Time presented a radically new approach to the study of art history. Drawing upon new insights in fields such as anthropology and linguistics, George Kubler replaced the notion of style as the basis for histories of art with the concept of historical sequence and continuous change across time. Kubler's classic work is now made available in a freshly designed edition.
"The Shape of Time is as relevant now as it was in 1962. This book, a sober, deeply introspective, and quietly thrilling meditation on the flow of time and...
When it was first released in 1962, The Shape of Time presented a radically new approach to the study of art history. Drawing upon new insig...
