Camara Laye (1928 80) traveled to France from his native Guinea in 1947 on a scholarship to study automobile mechanics. While there, he was encouraged by a supporterof the French Union to record the memories of his childhood. The resulting book, L'Enfant noir, was praised for its style and its uncritical attitude toward French colonization. A year later Laye published Le Regard du roi, a Kafkaesque story of a white man in Africa, which was very different in tone, style, and content from L'Enfant noir and from any other African literature being published at the time. L'Enfant noir and Le...

Out of French-speaking Africa, from Togo, Chad, Cote d'Ivoire, Cameroon, Guinea, Congo, Rwanda, Djibouti, and Madagascar, comes the polyphony of new voices aired in this volume. The collection brings together fourteen important contemporary authors with roots in sub-Saharan French Africa and Madagascar, a new generation now living in France or the United States, and introduces their remarkable work to readers of English. These writers' stories, unlike earlier African literature, seldom resemble traditional folk tales. Instead they are concerned with the postindependence world and reveal in...

Tierno Monenembo was among the African authors invited to Rwanda after the 1994 Tutsi-Hutu massacre to "write genocide into memory." In his novel The Oldest Orphan, that is precisely what Monenembo does, to devastating effect. Powerful testimony to an unspeakable historical reality, this story is told by an adolescent on death row in a prison in Kigali, the capital of Rwanda. Dispassionately, almost cynically, the teenager Faustin tells his tale, alternating between his days in jail, his adventures wandering the countryside after his parents and most of the people of his village have been...

These essays on L'Etranger celebrate its continuing influence throughout the world. Contributors come from Algeria, Samoa, India, Russia, France, Britain and the United States. Included are essays by prominent French and English-language authors for whom the novel has been an influential expression of contemporary sensibility. Other essays include feminist interpretations of Meursault, studies of Camus's narrative form, and explorations of the Algerian setting of the novel. Comparative studies show Camus's relation to the New Novel, to Greene and Orwell, to Jules Roy, and to Sartre.

A study of a female style of writing. French, English and American theories of how women's creative imagination and use of language may differ from conventional literary norms are examined in relation to the work of five of the best 20th century French women writers.

These essays on L'Etranger celebrate its continuing influence throughout the world. Contributors come from Algeria, Samoa, India, Russia, France, Britain and the United States. Included are essays by prominent French and English-language authors for whom the novel has been an influential expression of contemporary sensibility. Other essays include feminist interpretations of Meursault, studies of Camus's narrative form, and explorations of the Algerian setting of the novel. Comparative studies show Camus's relation to the New Novel, to Greene and Orwell, to Jules Roy, and to Sartre.