One of the oldest, yet least known works of European drama. This is published by Oberon Books in a unique translation from James Kerr for the stage.

Walter Scott was acutely conscious of the fictionality of his "historical" narratives. Assuming Scott's keen awareness of the problems of historical representation, James Kerr reads the Waverley novels as a grand fictional project constructed around the relationship between the language of fiction and the historical reality. Scott deliberately played fiction and history off against one another; and we can see throughout his novels a tension between the romancer, recasting the events of the past in accordance with recognizably literary logics, and the historian, presenting an accurate account...