Stephen Kern writes about the sweeping changes in technology and culture between 1880 and World War I that created new modes of understanding and experiencing time and space.
Stephen Kern writes about the sweeping changes in technology and culture between 1880 and World War I that created new modes of understanding and expe...
The Culture of Love interprets the sweeping change in loving that spanned a period when scientific discoveries reduced the terrors and dangers of sex, when new laws gave married women control over their earnings and their bodies, when bold novelists and artists shook off the prudishness and hypocrisy that so paralyzed the Victorians. As public opinion, family pressure, and religious conviction loosened, men and women took charge of their love. Stephen Kern argues that, in contrast to modern sex, Victorian sex was anatomically constricted, spatially confined, morally suspect, deadly...
The Culture of Love interprets the sweeping change in loving that spanned a period when scientific discoveries reduced the terrors and dange...
Leading scholar Stephen Kern offers a probing analysis of the modernist novel, encompassing American, British and European works. Organized thematically, the book offers a comprehensive analysis of the stunningly original formal innovations in novels by Conrad, Joyce, Woolf, Proust, Gide, Faulkner, Dos Passos, Kafka, Musil and others. Kern contextualizes and explains how formal innovations captured the dynamic history of the period, reconstructed as ten master narratives. He also draws briefly on poetry and painting of the first half of the twentieth century. The Modernist Novel is set to...
Leading scholar Stephen Kern offers a probing analysis of the modernist novel, encompassing American, British and European works. Organized thematical...
Stephen Kern has discovered in Pre-Raphaelite and impressionist art a recurring pattern for arranging the sexes: a profiled man gazing at a woman who looks away from him and toward the viewer, while she ponders an apparent offer. Kern draws on such images to challenge the claim of some feminist critics and historians that gazing men monopolize subjectivity and turn women into sex objects. So intent are these writers on viewing women as victims, who in fact reveal a commanding subjectivity. Compared with the eyes of men, women's eyes are more visible, consider more varied thoughts, and...
Stephen Kern has discovered in Pre-Raphaelite and impressionist art a recurring pattern for arranging the sexes: a profiled man gazing at a woman w...
