This authoritative and accessible book explains the argument and strategy of Kant's analysis of beauty. A number of issues are discussed - amongst them the distinction and relation between natural beauty and fine art, pure and dependent beauty, disinterestedness and universality, form and expression, beauty and morality, transcendental and empirical necessity, individual and community. Links are also forged between Kant's theory and contemporary commentaries - including those by Donald Crawford, Jacques Derrida, Paul Guyer, Rudolph Makkreel, Mary McCloskey, Kenneth Rogerson and John Zammito.

This volume brings together new essays from distinguished scholars in a variety of disciplines--philosophy, history, literary studies, art history--to explore various ways in which aesthetics, politics and the arts interact with one another. Together the essays demonstrate the need to counteract the reductionist view of the relationship between politics and the arts that prevails in different ways in both philosophy and critical theory. They suggest that the irreducibility of the aesthetic must prompt us to reconceive the political as it relates to human cultural activity.

An interdisciplinary study of explanation and the construction of value regarding works of literature and painting.

These essays investigate the complex and developing interaction between performance and authenticity in the arts.

This title provides an examination of the studies of Aristotle's Poetics and its related texts in which three medieval philosophers proposed a conception of poetic validity (beauty) and a just relation between subjects in a community (goodness).