Of all the giants of twentieth-century art, Wassily Kandinsky (1866-1944) was the most prolific writer. Here, available for the first time in paperback, are all of Kandinsky's writings on art, newly translated into English. Editors Kenneth C. Lindsay and Peter Vergo have taken their translations directly from Kandinsky's original texts, and have included select interviews, lecture notes, and newly discovered items along with his more formal writings. The pieces range from one-page essays to the book-length treatises On the Spiritual in Art (1911) and Point and Line to Plane...
Of all the giants of twentieth-century art, Wassily Kandinsky (1866-1944) was the most prolific writer. Here, available for the first time in paperbac...
But despite their patent and well-ordered security, despite their infallible principles, there lurks in these higher segments a hidden fear, a nervous trembling, a sense of insecurity. And this is due to their upbringing. They know that the sages, statesmen and artists whom today they revere, were yesterday spurned as swindlers and charlatans.
But despite their patent and well-ordered security, despite their infallible principles, there lurks in these higher segments a hidden fear, a nervous...
Wassily Wassilyevich Kandinsky (1866 - 1944) was a fantastic Russian painter who is credited for painting the first modern abstract works. In this book, Kandinsky compares the spiritual life of humanity to a pyramid; and the artist has the mission of leading others to the top.
Wassily Wassilyevich Kandinsky (1866 - 1944) was a fantastic Russian painter who is credited for painting the first modern abstract works. In this boo...
2013 Reprint of 1947 Edition. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. In this title Kandinsky analyzed the geometrical elements which make up every painting-the point and the line. He called the physical support and the material surface on which the artist draws or paints the basic plane, or BP. He did not analyze them objectively, but from the point of view of their inner effect on the observer. A point is a small bit of color put by the artist on the canvas. It is neither a geometric point nor a mathematical abstraction; it is extension,...
2013 Reprint of 1947 Edition. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. In this title Kandinsky analy...
2014 Reprint of 1914 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. Wassily Kandinsky s contributions as a theorist were arguably more influential on modern art than any of his paintings. In this work, first published in 1914, Kandinsky both promotes and defends a form of art in which painters express themselves in abstract terms independent of the material world around them, much as musicians do. Divided into two parts, "About General Aesthetic" (including an examination of geometrical forms) and "About Painting" (a discussion of the...
2014 Reprint of 1914 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. Wassily Kandinsky s contributi...
Wassily Kandinsky Michael Sadleir Francis Golffing
2014 Reprint of 1947 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. An updated version of the Sadleir translation, with considerable re-translation by Francis Golffing, Michael Harrison and Ferdinand Ostertag. Published in 1912, Kandinsky's book defines three types of painting; impressions, improvisations and compositions. While impressions are based on an external reality that serves as a starting point, improvisations and compositions depict images emergent from the unconscious, though composition is developed from a more formal point of...
2014 Reprint of 1947 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. An updated version of the Sadl...