Jones challenges traditional images of Percy Bysshe Shelley in this first book-length analysis of his major satiric works. Bringing to bear genre theory and a New Historical frame of reference, Jones places Shelley's satires in their broad context of popular, political, and material culture. Jones argues that Shelley's satiric poems express an important countervoice within Shelley's work as well as within Romanticism as a whole. These ironic, public, referential, and worldly texts are shown to be deeply ambivalent, employing the imagery of curse, revenge, and punishment in a coercive rhetoric...