Throughout the years, biographers have depicted John Calvin in manifold ways. Serene Jones takes a fresh look at Calvin as she draws a compelling portrait of Calvin as artist, engaged in the classical art of rhetoric. According to Jones, this art was used knowingly and skillfully by Calvin to persuade and challenge his diverse audiences. Jones offers a rhetorical reading of the first three chapters of Calvin's Institutes of the Christian Religion. What emerges is a truly original interpretation of Calvin and his work.

This long-awaited text charts clearly and comprehensively the enormously important area of feminist theory -- and brings it into fruitful conversation with Christian theology. Jones introduces the primary concerns that animate feminist theory through discussion of critical texts and through women's narratives. She shows how they pose uncomfortable questions, and leave no corner of the Christian tradition unchallenged. Jones unfolds feminist theory in three broad categories that analyze human identity and gender, oppression, and ethics. She then illustrates their potential for illuminating...