This is a companion to Guidelines for Bibliographic Description of Interactive Multimedia. It offers practical instructions on cataloguing such materials as photocopies, microform copies, reprints not considered as distinct editions, and photomechanical/photographic copies of graphic materials.

Written against the academically dominant but simplistic romanticization of popular music as a positive force, this book focuses on the 'dark side' of the subject. It is a pioneering examination of the ways in which popular music has been deployed in association with violence, ranging from what appears to be an incidental relationship, to one in which music is explicitly applied as an instrument of violence. A preliminary overview of the physiological and cognitive foundations of sounding/hearing which are distinctive within the sensorium, discloses in particular their potential for organic...