Examines Shakespeare's deployment of Virgil, Ovid and other classical sources in the creation of a national myth.

Heather James argues that Shakespeare's use of Virgil, Ovid and other classical sources demonstrates the appropriation of classical authority in the interests of developing a national myth. She goes on to distinguish Shakespeare's deployment of the myth--notably in Troilus and Cressida, Antony and Cleopatra, Cymbeline, and The Tempest--from "official" Tudor and Stuart ideology, and to show how Shakespeare participates in the larger cultural project of finding historical legitimacy for Britain as a realm asserting its status as an empire.

Evelyn Barrett wants to die. As long as her daughter's murderer dies with her, she is ready to go. Why did this man--this stranger--destroy her family? Why has he not been brought to justice? Why is she forced to live a life of anger and grief? Amid a million questions she cannot answer, Evelyn knows one thing for sure: this murderer must be punished for his crime.

Before it all, she was a successful attorney who won all the hard cases. Now that the case is personal, Evelyn will stop at nothing to seek her own version of justice. When another girl goes missing, Evelyn plows forward,...

Evelyn Barrett has a new job, a new baby, and a new life--of sorts. Nearly crushed by the horrific abduction and murder of her daughter (book 1, Unholy Hunger), Evelyn is moving on as best she can.

No longer allowed to practice law, she is recruited by one of the detectives from her daughter's case to become a police consultant. Her inaugural case becomes a baptism by fire as she joins the hunt for a chillingly methodical and sadistic serial rapist and murderer.

Her revulsion and anger fuels a passion for justice . . . and then it becomes personal. Her friend and law school...