In "Michelangelo's Seizure, " Steve Gehrke seizes the lives of several classic and contemporary painters--from Caravaggio and Magritte to Francis Bacon and Jackson Pollock--to demonstrate how these artists transformed physical, psychological, and political suffering into art. Mirroring the brushstrokes in long, metaphor-laden sentences, Gehrke moves freely through the canvas, into and out of the artists' lives, into the public realm, into history, to capture the way the creative mind can transform even the most violent surroundings--a prison cell,...
Providing poetic entry into the visual arts
In "Michelangelo's Seizure, " Steve Gehrke seizes the lives of several classic and contemporary painters...
In The Infinity Sessions, T. R. Hummer achieves a radical act of translation, creating poems that project the narrative of twentieth-century America implicit in the syncopated rhythms of jazz and blues. Hummer boldly stands up as a poet and rides with some of the obscure greats with whom he feels a deep kinship -- Jimmie Lunceford, Adrian Rollini, Big Maybelle Smith, and Sun Ra -- in a dazzling poetic cycle as melodic, surprising, and improvisational as the finest of jazz music.
Showing readers that the musician's character is tested and formed in the merciless crucible of improvisation,...
In The Infinity Sessions, T. R. Hummer achieves a radical act of translation, creating poems that project the narrative of twentieth-century Americ...
Music, race, politics, and conscience. In these eight essays written over the span of a decade and a half, T. R. Hummer explains how, for him, such abiding concerns revolve around the practice of poetry and the evolution of a culturally responsible personal poetics. Hummer writes about the suicide of poet Vachel Lindsay, the culture wars at the National Endowment for the Arts, the 1991 Persian Gulf War, the divided soul of his native American South, and the salving, transcendent practice of musicianship. Inevitably entwined with a personal or cultural component, Hummer's criticism is thus...
Music, race, politics, and conscience. In these eight essays written over the span of a decade and a half, T. R. Hummer explains how, for him, such...
T. R. Hummer's new and characteristically pyrotechnic collection takes its title from the rare (in English) singular form of the common word "ephemera." In a work of startling originality, the poet presents a meditation on ephemerality from the point of view of the ephemeron itself as it passes, be it the individual, the atom, the particle.
Hummer's work is existential and atemporal. The scope of the poems gradually broadens from the opening section, also called "Ephemeron," through "Either/Or," which is a fulcrum, on to plural "Ephemera." The vision that emerges is haunting, evoking the...
T. R. Hummer's new and characteristically pyrotechnic collection takes its title from the rare (in English) singular form of the common word "ephem...
In Christian theology, a skandalon is a distraction from grace, a maze of error where we wander pointlessly, wasting our lives. To the ancient Greeks, a skandalon was the trigger of a trap. T. R. Hummer's labyrinthine new collection encompasses these meanings and more, as its poems take various paths -- some beguiling, some grotesque, some instructive, some opaque -- to unexpected destinations. Undergirding the collection is a series of progressive vignettes entitled "Victims of the Wedding," which follows the quarrels and couplings of a human man and woman as well as the angel and demon...
In Christian theology, a skandalon is a distraction from grace, a maze of error where we wander pointlessly, wasting our lives. To the ancient Gree...