With the publication of this text, Karla Holloway becomes the first to produce a book-length analysis of Hurston's use of language in her four major novels. . . . Holloway supports all of her contentions by combining studies of African and Afro-American culture with Euramerican critical theories of semiology and structuralism. The result is a fascinating study of the shifting language of the narrators in each of Hurston's novels, and how these shifts relate to the emotional states of the characters and to the novelist herself. Choice
In The Character of the Word: The...
With the publication of this text, Karla Holloway becomes the first to produce a book-length analysis of Hurston's use of language in her four majo...
This series of essays on Toni Morrison's first four novels--"The Bluest Eye," "Song of Solomon," "Sula," and "Tar Baby" is the delightful, intelligent collaboration of a white of Greek descent (Demetrakopoulos) and a black American (Holloway). In addition to the influence of their respective backgrounds, Demetrakopoulos is particularly interested in women's studies and Jungian psychology, and Holloway in black studies and linguistics; these fields inform their individual contributions. . . . The clear writing is free of academic jargon and makes exceptionally good sense. Very highly...
This series of essays on Toni Morrison's first four novels--"The Bluest Eye," "Song of Solomon," "Sula," and "Tar Baby" is the delightful, intellig...
Passed On is a portrait of death and dying in twentieth-century African America. Through poignant reflection and thorough investigation of the myths, rituals, economics, and politics of African American mourning and burial practices, Karla FC Holloway finds that ways of dying are just as much a part of black identity as ways of living. Gracefully interweaving interviews, archival research, and analyses of literature, film, and music, Holloway shows how the vulnerability of African Americans to untimely death is inextricably linked to how black culture represents itself and is...
Passed On is a portrait of death and dying in twentieth-century African America. Through poignant reflection and thorough investigation of the ...
Passed On is a portrait of death and dying in twentieth-century African America. Through poignant reflection and thorough investigation of the myths, rituals, economics, and politics of African American mourning and burial practices, Karla FC Holloway finds that ways of dying are just as much a part of black identity as ways of living. Gracefully interweaving interviews, archival research, and analyses of literature, film, and music, Holloway shows how the vulnerability of African Americans to untimely death is inextricably linked to how black culture represents itself and is...
Passed On is a portrait of death and dying in twentieth-century African America. Through poignant reflection and thorough investigation of the ...
In Private Bodies, Public Texts, Karla FC Holloway examines instances where medical issues and information that would usually be seen as intimate, private matters are forced into the public sphere. As she demonstrates, the resulting social dramas often play out on the bodies of women and African Americans. Holloway discusses the spectacle of the Terri Schiavo right-to-die case and the injustice of medical researchers use of Henrietta Lacks s cell line without her or her family s knowledge or permission. She offers a provocative reading of the Tuskegee syphilis study and a haunting...
In Private Bodies, Public Texts, Karla FC Holloway examines instances where medical issues and information that would usually be seen as intima...
In Legal Fictions, Karla FC Holloway both argues that U.S. racial identity is the creation of U.S. law and demonstrates how black authors of literary fiction have engaged with the law's constructions of race since the era of slavery. Exploring the resonance between U.S. literature and U.S. jurisprudence, Holloway reveals Toni Morrison's Beloved and Charles Johnson's Middle Passage as stories about personhood and property, David Bradley's The Chaneysville Incident and Ralph Ellison's Invisible Man as structured by evidence law, and Nella Larsen's...
In Legal Fictions, Karla FC Holloway both argues that U.S. racial identity is the creation of U.S. law and demonstrates how black authors of li...
In Legal Fictions, Karla FC Holloway both argues that U.S. racial identity is the creation of U.S. law and demonstrates how black authors of literary fiction have engaged with the law's constructions of race since the era of slavery. Exploring the resonance between U.S. literature and U.S. jurisprudence, Holloway reveals Toni Morrison's Beloved and Charles Johnson's Middle Passage as stories about personhood and property, David Bradley's The Chaneysville Incident and Ralph Ellison's Invisible Man as structured by evidence law, and Nella Larsen's...
In Legal Fictions, Karla FC Holloway both argues that U.S. racial identity is the creation of U.S. law and demonstrates how black authors of li...
