Galileo was then sixty-nine years old and the most venerated scientist in Italy. Although subscribing to an anti-literalist view of the Bible, as per Saint Augustine, Galileo considered himself a believing Catholic Playing to his own strengths--a deep knowledge of Italy, a longstanding interest in Renaissance and Baroque lore--Dan Hofstadter explains this apparent paradox and limns this historic moment in the widest cultural context, portraying Galileo as both humanist and scientist, deeply versed in philosophy and poetry, on easy terms with musicians, writers, and painters.

In these five profiles, four of which originally appeared in the New Yorker, the author evokes the life and work of seven gifted artists. Among those presented, often through lively conversations, are Jean Helion, Mark Rothko, R.B. Kitaj, and Dennis Creffield. Chief among those portrayed however is Henri Cartier-Bresson (1908-2004), the great French photographer and photojournalist who, famed for dodging contact with the press, is here sketched in rare and fond detail. Of all these artists, only two still live: what emerges from this book is a picture, often bizarre, often hilarious,...

This series of entwined biographical sketches recounts how, in the Romantic Era, love affairs, often illicit, were transformed into novels, memoirs, and published correspondences. We make the intimate acquaintance of great writers like Mme de Stael, Chateaubriand, George Sand, and Anatole France, who, however, fall gradually under the suspicion of pursuing their amorous entanglements for "good material." The tale ends with a moving account, based on unpublished sources, of the strange, intense friendship of Marcel Proust and Jeanne Pouquet, the girl who became the model for Gilberte in...