Published in 2006 following Damien Hirst's first major print exhibition at the Paul Stolper Gallery in London in 2005, New Religion explores Hirst's central themes: ''I was thinking that there are four important things in life: religion, love, art and science... Of them all, science seems to be the right one now. Like religion, it provides the glimmer of hope that maybe it will be all right in the end.'' With full-color reproductions of this entire series of Hirst silkscreen prints produced for the New Religion exhibition, such as -The Apostles, - -The Wound of Christ, - -The...

Other Criteria presents the book produced for Damien Hirst's first show in Mexico, 'The Death of God - Towards a Better Understanding of a Life Without God Aboard the Ship of Fools'. Containing 69 full colour reproductions of all the works in the show, the catalogue also includes an interview with the gallery owner, Hilario Galguera, on the nature of Hirst's current work and its exploration of religion as a continuing theme. Hirst's earlier poems, The Cancer Chronicles, are reproduced within the catalogue alongside light micrographs of nineteen different kinds of cancer cells. With...

Requiem I catalogues each of Hirst's works exhibited at the Pinchuk Art Center, Kiev, Ukraine, in April 2009: over 90 in total. Featuring iconic early pieces from the 1990s through to the new, previously unseen skull paintings, the book is testament to the vast range of Hirst's output. Michael Bracewell's extensive essay examines the conceptual and technical developments in the artist's career within the wider context of his cultural influence.

Requiem II details all the previously unseen skull paintings from the Requiem exhibition at the Pinchuk Art Center, Kiev, Ukraine, in April 2009. Featuring over 40 works painted between 2006 and 2008, Hirst uses paint to convey the darker, philosophical attributes of death. Emerging from the midnight darkness, his Requiem skull paintings speak of a remembrance of corporeality and the transportation from body into soul. Using the skull as representative of this transition, Hirst appeals to our universal nature, his art merging sublime romanticism with life's cold scientific reality: together...

Requiem II details all the previously unseen skull paintings from the Requiem exhibition at the Pinchuk Art Center, Kiev, Ukraine, in April 2009. Featuring over 40 works painted between 2006 and 2008, Hirst uses paint to convey the darker, philosophical attributes of death. Emerging from the midnight darkness, his Requiem skull paintings speak of a remembrance of corporeality and the transportation from body into soul. Using the skull as representative of this transition, Hirst appeals to our universal nature, his art merging sublime romanticism with life's cold scientific reality: together...

Published on the occasion of Damien Hirst's exhibition at the Wallace Collection, London in October 2009, this catalogue prints a selection of blue skull and flower paintings from the show, with a total of 30 illustrations and 3 gatefolds.

The Visual Candy paintings were made between 1992 and 1994.The works showcase the ways in which Damien Hirst used the signifier of candy during the early 1990's, exploring questions of pure aesthetics. Hirst says they were created as a direct riposte to an art critic who had dismissed Hirst's Spot Paintings as -just visual candy.' Addressing the viewer on a deliberately emotionaland instinctive level, these works, abetted by their exuberant titles, among them Some Fun (1993) and Dippy Dappy Dabby (1993), set out to question the implication that aesthetically pleasing art is inherently...

This beautifully illustrated book constitutes a comprehensive survey of Damien Hirst's Psalm paintings. The 150 works in the series are made up of iridescent butterfly wings and paint on canvas, which combine to form kaleidoscopic patterns reminiscent of Gothic stained glass windows. Dating from 2008, the paintings address some of Hirst's most enduring and important themes: beauty, art, belief, life and death. Each of the fully illustrated paintings is accompanied by the Old Testament prayer from which its title is derived, the text rendered on images of individually selected marble...

-Breakfast at The Wolseley gave Damien and I the perfect opportunity to discuss the business of the day, - remembers Frank Dunphy, Damien Hirst's business manager, -the bow-tied super-ego to Mr. Hirst's id, - as The Wall Street Journal has described him. -Always on time, Damien would first hold out his hand for a pen or pencil and would then begin sketching on the back of his placemat.-
Portraits of Frankis published to coincide with Dunphy's retirement after almost 15 years with the artist. Seen here for the first time, Hirst's portraits were sketched during the pair's...

In 2014, Damien Hirst (born 1965) unveiled a new series of -paintings- composed of vast numbers of surgical instruments, which combine to form bird's-eye views of cities from around the world. With these Black Scalpel Cityscapes, Hirst investigates subjects pertaining to the sometimes disquieting realities of modern life--surveillance, urbanization, globalization and the virtual nature of conflict--as well as those relating to the human condition in general, such as our inability to arrest physical decay. Buildings, rivers and roads are rendered as scalpels, razor blades, hooks and...