Dolores del Rio first came to Hollywood from Mexico in 1925 and within a year had become an international star for her role in Raoul Walsh's 1926 film What Price Glory. She would go on to work with Hollywood's top directors, including John ford and Krug Vidor, and star opposite such leading men as Henry Fonda, Fred Astaire, Orson Welles (with whom she had a scandalous affair), and Elvis Presley. Voted by Photoplay magazine in 1933 as having "the most perfect feminine figure in Hollywood", del Rio was billed as one of cinema's most "exotic" and "aristocratic" beauties. This image -- carefully...

In recent years, Mexican films have received high acclaim and impressive box-office returns, earning prestigious international awards in film festivals worldwide. Moreover, Mexico has the most advanced movie industry in the Spanish-speaking world in terms of economic resources, technical production, number of films produced annually, and in distribution. Its impact on Mexican culture and society cannot be overstated.

In recent years, Mexican films have received high acclaim and impressive box-office returns, earning prestigious international awards in film festivals worldwide. Moreover, Mexico has the most advanced movie industry in the Spanish-speaking world in terms of economic resources, technical production, number of films produced annually, and in distribution. Its impact on Mexican culture and society cannot be overstated.

In the years following the Mexican Revolution, visual images of la chica moderna, the modern woman, au courant in appearance and attitude, popped up in mass media across the country. Some of the images were addressed directly to women through advertisements, as illustrations accompanying articles in women s magazines, and on the women s pages in daily newspapers. Others illustrated domestic and international news stories, promoted tourism, or publicized the latest Mexican and Hollywood films. In Imagining la Chica Moderna, Joanne Hershfield examines these images, exploring how...

In the years following the Mexican Revolution, visual images of la chica moderna, the modern woman, au courant in appearance and attitude, popped up in mass media across the country. Some of the images were addressed directly to women through advertisements, as illustrations accompanying articles in women s magazines, and on the women s pages in daily newspapers. Others illustrated domestic and international news stories, promoted tourism, or publicized the latest Mexican and Hollywood films. In Imagining la Chica Moderna, Joanne Hershfield examines these images, exploring how...